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Brain Gain

 

 
The New Yorker

Brain Gain

The underground world of "neuroenhancing" drugs.

by Margaret Talbot April 27, 2009

 
Every era has its defining drug. Neuroenhancers are perfectly suited for our efficiency-obsessed, BlackBerry-equipped office culture.

Every era has its defining drug. Neuroenhancers are perfectly suited for our efficiency-obsessed, BlackBerry-equipped office culture.

A young man I'll call Alex recently graduated from Harvard. As a history major, Alex wrote about a dozen papers a semester. He also ran a student organization, for which he often worked more than forty hours a week; when he wasn't on the job, he had classes. Weeknights were devoted to all the schoolwork that he couldn't finish during the day, and weekend nights were spent drinking with friends and going to dance parties. "Trite as it sounds," he told me, it seemed important to "maybe appreciate my own youth." Since, in essence, this life was impossible, Alex began taking Adderall to make it possible.

Adderall, a stimulant composed of mixed amphetamine salts, is commonly prescribed for children and adults who have been given a diagnosis of attention-deficit hyperactivity disorder. But in recent years Adderall and Ritalin, another stimulant, have been adopted as cognitive enhancers: drugs that high-functioning, overcommitted people take to become higher-functioning and more overcommitted. (Such use is "off label," meaning that it does not have the approval of either the drug's manufacturer or the Food and Drug Administration.) College campuses have become laboratories for experimentation with neuroenhancement, and Alex was an ingenious experimenter. His brother had received a diagnosis of A.D.H.D., and in his freshman year Alex obtained an Adderall prescription for himself by describing to a doctor symptoms that he knew were typical of the disorder. During his college years, Alex took fifteen milligrams of Adderall most evenings, usually after dinner, guaranteeing that he would maintain intense focus while losing "any ability to sleep for approximately eight to ten hours." In his sophomore year, he persuaded the doctor to add a thirty-milligram "extended release" capsule to his daily regimen.

Alex recalled one week during his junior year when he had four term papers due. Minutes after waking on Monday morning, around seven-thirty, he swallowed some "immediate release" Adderall. The drug, along with a steady stream of caffeine, helped him to concentrate during classes and meetings, but he noticed some odd effects; at a morning tutorial, he explained to me in an e-mail, "I alternated between speaking too quickly and thoroughly on some subjects and feeling awkwardly quiet during other points of the discussion." Lunch was a blur: "It's always hard to eat much when on Adderall." That afternoon, he went to the library, where he spent "too much time researching a paper rather than actually writing it—a problem, I can assure you, that is common to all intellectually curious students on stimulants." At eight, he attended a two-hour meeting "with a group focussed on student mental-health issues." Alex then "took an extended-release Adderall" and worked productively on the paper all night. At eight the next morning, he attended a meeting of his organization; he felt like "a zombie," but "was there to insure that the semester's work didn't go to waste." After that, Alex explained, "I went back to my room to take advantage of my tired body." He fell asleep until noon, waking "in time to polish my first paper and hand it in."

I met Alex one evening last summer, at an appealingly scruffy bar in the New England city where he lives. Skinny and bearded, and wearing faded hipster jeans, he looked like the lead singer in an indie band. He was ingratiating and articulate, and smoked cigarettes with an ironic air of defiance. Alex was happy enough to talk about his frequent use of Adderall at Harvard, but he didn't want to see his name in print; he's involved with an Internet start-up, and worried that potential investors might disapprove of his habit.

After we had ordered beers, he said, "One of the most impressive features of being a student is how aware you are of a twenty-four-hour work cycle. When you conceive of what you have to do for school, it's not in terms of nine to five but in terms of what you can physically do in a week while still achieving a variety of goals in a variety of realms—social, romantic, sexual, extracurricular, résumé-building, academic commitments." Alex was eager to dispel the notion that students who took Adderall were "academic automatons who are using it in order to be first in their class, or in order to be an obvious admit to law school or the first accepted at a consulting firm." In fact, he said, "it's often people"—mainly guys—"who are looking in some way to compensate for activities that are detrimental to their performance." He explained, "At Harvard, at least, most people are to some degree realistic about it. . . . I don't think people who take Adderall are aiming to be the top person in the class. I think they're aiming to be among the best. Or maybe not even among the best. At the most basic level, they aim to do better than they would have otherwise." He went on, "Everyone is aware of the fact that if you were up at 3 A.M. writing this paper it isn't going to be as good as it could have been. The fact that you were partying all weekend, or spent the last week being high, watching 'Lost'—that's going to take a toll."

Alex's sense of who uses stimulants for so-called "nonmedical" purposes is borne out by two dozen or so scientific studies. In 2005, a team led by Sean Esteban McCabe, a professor at the University of Michigan's Substance Abuse Research Center, reported that in the previous year 4.1 per cent of American undergraduates had taken prescription stimulants for off-label use; at one school, the figure was twenty-five per cent. Other researchers have found even higher rates: a 2002 study at a small college found that more than thirty-five per cent of the students had used prescription stimulants nonmedically in the previous year.

Drugs such as Adderall can cause nervousness, headaches, sleeplessness, and decreased appetite, among other side effects. An F.D.A. warning on Adderall's label notes that "amphetamines have a high potential for abuse" and can lead to dependence. (The label also mentions that adults using Adderall have reported serious cardiac problems, though the role of the drug in those cases is unknown.) Yet college students tend to consider Adderall and Ritalin benign, in part because they are likely to know peers who have taken the drugs since childhood for A.D.H.D. Indeed, McCabe reports, most students who use stimulants for cognitive enhancement obtain them from an acquaintance with a prescription. Usually, the pills are given away, but some students sell them.

According to McCabe's research team, white male undergraduates at highly competitive schools—especially in the Northeast—are the most frequent collegiate users of neuroenhancers. Users are also more likely to belong to a fraternity or a sorority, and to have a G.P.A. of 3.0 or lower. They are ten times as likely to report that they have smoked marijuana in the past year, and twenty times as likely to say that they have used cocaine. In other words, they are decent students at schools where, to be a great student, you have to give up a lot more partying than they're willing to give up.

The BoredAt Web sites—which allow college students to chat idly while they're ostensibly studying—are filled with messages about Adderall. Posts like these, from the BoredAtPenn site, are typical: "I have some Adderall—I'm sitting by room 101.10 in a grey shirt and headphones"; "I have Adderall for sale 20mg for $15"; "I took Adderall at 8 p.m., it's 6:30 a.m. and I've barely blinked." On the Columbia site, a poster with an e-mail address from CUNY complains that her friends take Adderall "like candy," adding, "I don't want to be at a disadvantage to everyone else. Is it really that dangerous? Will it fuck me up? My grades weren't that great this year and I could do with a bump." A Columbia student responds, "It's probably not a good idea if you're not prescribed," but offers practical advice anyway: "Keep the dose normal and don't grind them up or snort them." Occasional dissents ("I think there should be random drug testing at every exam") are drowned out by testimonials like this one, from the BoredAtHarvard site: "I don't want to be a pusher or start people on something bad, but Adderall is AMAZING."

Alex remains enthusiastic about Adderall, but he also has a slightly jaundiced critique of it. "It only works as a cognitive enhancer insofar as you are dedicated to accomplishing the task at hand," he said. "The number of times I've taken Adderall late at night and decided that, rather than starting my paper, hey, I'll organize my entire music library! I've seen people obsessively cleaning their rooms on it." Alex thought that generally the drug helped him to bear down on his work, but it also tended to produce writing with a characteristic flaw. "Often, I've looked back at papers I've written on Adderall, and they're verbose. They're belaboring a point, trying to create this airtight argument, when if you just got to your point in a more direct manner it would be stronger. But with Adderall I'd produce two pages on something that could be said in a couple of sentences." Nevertheless, his Adderall-assisted papers usually earned him at least a B. They got the job done. As Alex put it, "Productivity is a good thing."

Last April, the scientific journal Nature published the results of an informal online poll asking whether readers attempted to sharpen "their focus, concentration, or memory" by taking drugs such as Ritalin and Provigil—a newer kind of stimulant, known generically as modafinil, which was developed to treat narcolepsy. One out of five respondents said that they did. A majority of the fourteen hundred readers who responded said that healthy adults should be permitted to take brain boosters for nonmedical reasons, and sixty-nine per cent said that mild side effects were an acceptable risk. Though a majority said that such drugs should not be made available to children who had no diagnosed medical condition, a third admitted that they would feel pressure to give "smart drugs" to their kids if they learned that other parents were doing so.

Such competitive anxieties are already being felt in the workplace. Recently, an advice column in Wired featured a question from a reader worried about "a rising star at the firm" who was "using unprescribed modafinil to work crazy hours. Our boss has started getting on my case for not being as productive." And on Internet forums such as ImmInst, whose members share a nerdy passion for tweaking their cognitive function through drugs and supplements, people trade advice about dosages and "stacks"—improvised combinations—of neuroenhancers. ("Cut a tablet into fourths and took 25 mg every four hours, 4 times today, and had a great and productive day—with no side effects.") In one recent post, a fifty-two-year-old—who was working full time, studying for an advanced degree at night, and "married, etc."—wrote that after experimenting with modafinil he had settled on two daily doses of a hundred milligrams each. He believed that he was "performing a little better," adding, "I also feel slightly more animated when in discussion."

Not long ago, I met with Anjan Chatterjee, a neurologist at the University of Pennsylvania, in his office, which is tucked inside the labyrinthine Penn hospital complex. Chatterjee's main research interests are in subjects like the neurological basis of spatial understanding, but in the past few years, as he has heard more about students taking cognitive enhancers, he has begun writing about the ethical implications of such behavior. In 2004, he coined the term "cosmetic neurology" to describe the practice of using drugs developed for recognized medical conditions to strengthen ordinary cognition. Chatterjee worries about cosmetic neurology, but he thinks that it will eventually become as acceptable as cosmetic surgery has; in fact, with neuroenhancement it's harder to argue that it's frivolous. As he notes in a 2007 paper, "Many sectors of society have winner-take-all conditions in which small advantages produce disproportionate rewards." At school and at work, the usefulness of being "smarter," needing less sleep, and learning more quickly are all "abundantly clear." In the near future, he predicts, some neurologists will refashion themselves as "quality-of-life consultants," whose role will be "to provide information while abrogating final responsibility for these decisions to patients." The demand is certainly there: from an aging population that won't put up with memory loss; from overwrought parents bent on giving their children every possible edge; from anxious employees in an efficiency-obsessed, BlackBerry-equipped office culture, where work never really ends.

Chatterjee told me that many people who come to his clinic are cognitively preoccupied versions of what doctors call the "worried well." The day I visited his office, he had just seen a middle-aged woman, a successful Philadelphia lawyer, who mentioned having to struggle a bit to come up with certain names. "Here's an example of someone who by most measures is doing perfectly fine," Chatterjee said. "She's not having any trouble at work. But she notices she's having some problems, and it's very hard to know how much of that is just getting older." Of course, people in her position could strive to get regular exercise and plenty of intellectual stimulation, both of which have been shown to help maintain cognitive function. But maybe they're already doing so and want a bigger mental rev-up, or maybe they want something easier than sweaty workouts and Russian novels: a pill.

Recently, I spoke on the phone with Barbara Sahakian, a clinical neuropsychologist at Cambridge University, and the co-author of a December, 2007, article in Nature, "Professor's Little Helper." Sahakian, who also consults for several pharmaceutical companies, and her co-author, Sharon Morein-Zamir, reported that a number of their colleagues were using prescription drugs like Adderall and Provigil. Because the drugs are easy to buy online, they wrote, it would be difficult to stop their spread: "The drive for self-enhancement of cognition is likely to be as strong if not stronger than in the realms of 'enhancement' of beauty and sexual function." (In places like Cambridge, at least.)

When I spoke with Sahakian, she had just flown from England to Scottsdale, Arizona, to attend a conference, and she was tired. She might, justifiably, have forgone distractions like me, but she had her cell phone with her, and though it was a weekend morning some industrious person in the Cambridge news office had reached Sahakian in her hotel room, after she got out of the shower and before she had to rush to the first session. "We may be healthy and high-functioning, and think of ourselves that way, but it's very rare that we are actually functioning at our optimal level," Sahakian said. "Take me. I'm over here, and I've got jet lag and I've got to give a talk tonight and perform well, in what will be the middle of the night, U.K. time." She mentioned businessmen who have to fly back and forth across the Atlantic: "The difference between making a deal and not is huge and they sometimes only have one meeting to try and do it." She sympathized with them, but, she added, "we are a society that so wants a quick fix that many people are happy to take drugs."

For the moment, people looking for that particular quick fix have a limited choice of meds. But, given the amount of money and research hours being spent on developing drugs to treat cognitive decline, Provigil and Adderall are likely to be joined by a bigger pharmacopoeia. Among the drugs in the pipeline are ampakines, which target a type of glutamate receptor in the brain; it is hoped that they may stem the memory loss associated with diseases like Alzheimer's. But ampakines may also give healthy people a palpable cognitive boost. A 2007 study of sixteen healthy elderly volunteers found that five hundred milligrams of one particular ampakine "unequivocally" improved short-term memory, though it appeared to detract from episodic memory—the recall of past events. Another class of drugs, cholinesterase inhibitors, which are already being used with some success to treat Alzheimer's patients, have also shown promise as neuroenhancers. In one study, the drug donepezil strengthened the performance of pilots on flight simulators; in another, of thirty healthy young male volunteers, it improved verbal and visual episodic memory. Several pharmaceutical companies are working on drugs that target nicotine receptors in the brain, in the hope that they can replicate the cognitive uptick that smokers get from cigarettes.

Zack and Casey Lynch are a young couple who, in 2005, launched NeuroInsights, a company that advises investors on developments in brain-science technology. (Since then, they've also founded a lobbying group, the Neurotechnology Industry Organization.) Casey and Zack met as undergraduates at U.C.L.A.; she went on to get a master's degree in neuroscience at U.C.S.F., and he became an executive at a software company. Last summer, I had coffee with them in the Noe Valley neighborhood of San Francisco, and they both spoke with casual certainty about the coming market for neuroenhancers. Zack, who has a book being published this summer, called "The Neuro Revolution," said, "We live in an information society. What's the next form of human society? The neuro-society." In coming years, he said, scientists will understand the brain better, and we'll have improved neuroenhancers that some people will use therapeutically, others because they are "on the borderline of needing them therapeutically," and others purely "for competitive advantage."

Zack explained that he didn't really like the term "enhancement": "We're not talking about superhuman intelligence. No one's saying we're coming out with a pill that's going to make you smarter than Einstein! . . . What we're really talking about is enabling people." He sketched a bell curve on the back of a napkin. "Almost every drug in development is something that will take someone who's working at, like, forty per cent or fifty per cent, and take them up to eighty," he said.

New psychiatric drugs have a way of creating markets for themselves. Disorders often become widely diagnosed after drugs come along that can alter a set of suboptimal behaviors. In this way, Ritalin and Adderall helped make A.D.H.D. a household name, and advertisements for antidepressants have helped define shyness as a malady. If there's a pill that can clear up the wavering focus of sleep-deprived youth, or mitigate the tip-of-the-tongue experience of middle age, then those rather ordinary states may come to be seen as syndromes. As Casey put it, "The drugs get better, and the markets become bigger."

"Yes," Zack said. "We call it the lifestyle-improvement market."

The Lynches said that Provigil was a classic example of a related phenomenon: mission creep. In 1998, Cephalon, the pharmaceutical company that manufactures it, received government approval to market the drug, but only for "excessive daytime sleepiness" due to narcolepsy; by 2004, Cephalon had obtained permission to expand the labelling, so that it included sleep apnea and "shift-work sleep disorder." Net sales of Provigil climbed from a hundred and ninety-six million dollars in 2002 to nine hundred and eighty-eight million in 2008.

Cephalon executives have repeatedly said that they do not condone off-label use of Provigil, but in 2002 the company was reprimanded by the F.D.A. for distributing marketing materials that presented the drug as a remedy for tiredness, "decreased activity," and other supposed ailments. And in 2008 Cephalon paid four hundred and twenty-five million dollars and pleaded guilty to a federal criminal charge relating to its promotion of off-label uses for Provigil and two other drugs. Later this year, Cephalon plans to introduce Nuvigil, a longer-lasting variant of Provigil. Candace Steele, a spokesperson, said, "We're exploring its possibilities to treat excessive sleepiness associated with schizophrenia, bipolar depression, traumatic injury, and jet lag." Though she emphasized that Cephalon was not developing Nuvigil as a neuroenhancer, she noted, "As part of the preparation for some of these other diseases, we're looking to see if there's improvement in cognition."

Unlike many hypothetical scenarios that bioethicists worry about—human clones, "designer babies"—cognitive enhancement is already in full swing. Even if today's smart drugs aren't as powerful as such drugs may someday be, there are plenty of questions that need to be asked about them. How much do they actually help? Are they potentially harmful or addictive? Then, there's the question of what we mean by "smarter." Could enhancing one kind of thinking exact a toll on others? All these questions need proper scientific answers, but for now much of the discussion is taking place furtively, among the increasing number of Americans who are performing daily experiments on their own brains.

Paul Phillips was unusual for a professional poker player. When he joined the circuit, in the late nineties, he was already a millionaire: a twenty-something tech guy who had started off writing software, helped found an Internet portal called go2net, and cashed in at the right moment. He was cerebral and, at times, brusque. His nickname was Dot Com. On the international poker-tournament scene—where the male players tend to be either unabashedly schlumpy or sharply dressed in the manner of a Vegas hotel manager—Phillips cultivated a geeky New Wave style. He wore vintage shirts in wild geometric patterns; his hair was dyed orange or silver one week, shaved off the next. Most unusual of all, Phillips talked freely about taking prescription drugs—Adderall and, especially, Provigil—in order to play better cards.

He first took up the game in 1995, when he was in college, at U.C. San Diego. He recalled, "It was very mathematical, but you could also inject yourself into the game and manipulate the other guy with words"—more so than in a game like chess. Phillips soon felt that he had mastered the strategic aspects of poker. The key variable was execution. At tournaments, he needed to be able to stay focussed for fourteen hours at a stretch, often for several days, but he found it difficult to do so. In 2003, a doctor gave him a diagnosis of A.D.H.D., and he began taking Adderall. Within six months, he had won $1.6 million at poker events—far more than he'd won in the previous four years. Adderall not only helped him concentrate; it also helped him resist the impulse to keep playing losing hands out of boredom. In 2004, Phillips asked his doctor to give him a prescription for Provigil, which he added to his Adderall regimen. He took between two hundred and three hundred milligrams of Provigil a day, which, he felt, helped him settle into an even more serene and objective state of mindfulness; as he put it, he felt "less like a participant than an observer—and a very effective one." Though Phillips sees neuroenhancers as essentially steroids for the brain, they haven't yet been banned from poker competitions.

Last summer, I visited Phillips in the high-desert resort town of Bend, Oregon, where he lives with his wife, Kathleen, and their two daughters, Ivy and Ruby. Phillips, who is now thirty-six, seemed a bit out of place in Bend, where people spend a lot of time skiing and river rafting. Among the friendly, faithfully recycling locals, he was making an effort to curb his caustic side. Still, when I first sent Phillips an e-mail asking him to explain, more precisely, how Provigil affected him, he couldn't resist a smart-ass answer: "More precisely: after a pill is consumed, tiny molecules are absorbed into the bloodstream, where they eventually cross the blood-brain barrier and influence the operation of the wetware up top."

In person, he was more obliging. He picked me up at the Bend airport driving a black convertible BMW, and we went for coffee at a cheery café called Thump. Phillips wore shorts and flip-flops and his black T-shirt displayed an obscure programming joke. "Poker is about sitting in one place, watching your opponents for a long time, and making better observations about them than they make about you," he said. With Provigil, he "could process all the information about what was going on at the table and do something about it." Though there is no question that Phillips became much more successful at poker after taking neuroenhancers, I asked him if his improvement could be explained by a placebo effect, or by coincidence. He doubted it, but allowed that it could. Still, he said, "there's a sort of clarity I get with Provigil. With Adderall, I'd characterize the effect as correction—correction of an underlying condition. Provigil feels like enhancement." And, whereas Adderall made him "jittery," Provigil's effects were "completely limited to my brain." He had "zero difficulty sleeping."

On the other hand, Phillips said, Provigil's effects "have attenuated over time. The body is an amazing adjusting machine, and there's no upside that I've been able to see to just taking more." A few years ago, Phillips tired of poker, and started playing competitive Scrabble. He was good, but not that good. He was older than many of his rivals, and he needed to undertake a lot of rote memorization, which didn't come as easily as it once had. "I stopped short of memorizing the entire dictionary, and to be really good you have to get up to eight- and nine-letter words," he told me. "But I did learn every word up to five letters, plus maybe ten thousand seven- and eight-letter words." Provigil, he said, helped with the memorization process, but "it's not going to make you smarter. It's going to make you better able to use the tools you have for a sustained period."

Similarly, a journalist I know, who takes the drug when he has to stay up all night on deadline, says that it doesn't help in the phase when he's trying to figure out what he wants to say or how to structure a story; but, once he's arrived at those insights, it helps him stay intent on completing a draft. Similarly, a seventy-four-year-old who published a letter in Nature last year offered a charmingly specific description of his modafinil habit: "Previously, I could work competently on the fracture-mechanics of high-silica stone (while replicating ancient tool-flaking techniques) for about an hour. With modafinil, I could continue for almost three hours."

Cephalon, the Provigil manufacturer, has publicly downplayed the idea that the drug can be used as a smart pill. In 2007, the company's founder and C.E.O., Frank Baldino, Jr., told a reporter from the trade journal Pharmaceutical Executive, "I think if you're tired, Provigil will keep you awake. If you're not tired, it's not going to do anything." But Baldino may have been overly modest. Only a few studies have been done of Provigil's effects on healthy, non-sleep-deprived volunteers, but those studies suggest that Provigil does provide an edge, at least for some kinds of challenges. In 2002, researchers at Cambridge University gave sixty healthy young male volunteers a battery of standard cognitive tests. One group received modafinil; the other got a placebo. The modafinil group performed better on several tasks, such as the "digit span" test, in which subjects are asked to repeat increasingly longer strings of numbers forward, then backward. They also did better in recognizing repeated visual patterns and on a spatial-planning challenge known as the Tower of London task. (It's not nearly as fun as it sounds.) Writing in the journal Psychopharmacology, the study's authors said the results suggested that "modafinil offers significant potential as a cognitive enhancer."

Phillips told me that, much as he believes in neuroenhancers, he did not want to be "the poster boy for smart-in-a-pill." At one point, he said, "We really don't know the possible implications for long-term use of these things." (He recently stopped taking Provigil every day, replacing it with another prescription stimulant.) He found the "arms-race aspect" of cognitive enhancement distasteful, and didn't like the idea that parents might force their kids to take smart pills. He sighed when I suggested that adults, too, might feel coerced into using the drugs. "Yeah, in a competitive field—if suddenly a quarter of the people are more equipped, but you don't want to take the risks with your body—it could begin to seem terribly unfair," he said. "I don't think we need to be turning up the crank another notch on how hard we work. But the fact is, the baseline competitive level is going to reorient around what these drugs make possible, and you can choose to compete or not."

In the afternoon, we drove over to Phillips's house—a big place, handsome and new, with a sweeping deck overhanging the Deschutes River. Inside, toys were strewn across the shag carpeting. Phillips was waiting for his wife and daughters to come home from the swimming pool, and, sitting in his huge, high-ceilinged living room, he looked a little bored. He told me that he had recently decided to apply to graduate school in computer programming. It was going to be hard—getting out all those applications, convincing graduate programs that he was serious about returning to school. But he had, as he put it, "exhausted myself on all forms of leisure," and felt nostalgic for his last two years of college, when he had discovered computer programming. "That was the most purely intellectually satisfying period of my whole life," he said. "It transformed my brain from being all over the place to a reasonable edifice of knowledge about something." Back then, he hadn't taken any smart pills. "I would have been a freakin' dynamo in college if I'd been taking them," he said. "But, still, I had to find computers. That made a bigger difference than anything else—finding something I just couldn't get enough of."

Provigil may well confer a temporary advantage on healthy people, but this doesn't mean that it's ready to replace your morning espresso. Anjan Chatterjee told me that there "just aren't enough studies of these drugs in normal people." He said, "In the situations where they do help, do they come with a cost?" As he wrote in a recent letter to Nature, "Most seasoned physicians have had the sobering experience of prescribing medications that, despite good intentions, caused bad outcomes." Given that cognitive enhancement is a choice, not a necessity, the cost-benefit calculation for neuroenhancers should probably be different than it is for, say, heart medications.

Provigil can be habit-forming. In a study published recently in the Journal of the American Medical Association, a group led by Nora Volkow, the director of the National Institute on Drug Abuse, scanned the brains of ten men after they had been given a placebo, and also after they had been given a dose of modafinil. The modafinil appeared to lead to an increase in the brain chemical dopamine. "Because drugs that increase dopamine have the potential for abuse," Volkow's report concluded, "these results suggest that risk for addiction in vulnerable persons merits heightened awareness." (Cephalon, in a response to the report, notes that Provigil's label urges physicians to monitor patients closely, especially those with a history of drug abuse.) On the Web site Erowid, where people vividly, and anonymously, report their experiences with legal and illegal drugs, some modafinil users have described a dependency on the drug. One man, who identified himself as a former biochemistry student, said that he had succeeded in kicking cocaine and opiate habits but couldn't stop using modafinil. Whenever he ran out of the drug, he said, "I start to freak out." After "4-5 days" without it, "the head fog starts to come back."

Eliminating foggy-headedness seems to be the goal of many users of neuroenhancers. But can today's drugs actually accomplish this? I recently posed this question to Anjan Chatterjee's colleague Martha Farah, who is a psychologist at Penn and the director of its Center for Cognitive Neuroscience. She has been writing about neuroenhancers for several years from a perspective that is deeply fascinated and mildly critical, but basically in favor—with the important caveat that we need to know much more about how these drugs work. I spoke with her one afternoon at her research center, which is in a decidedly unfuturistic-looking Victorian house on Walnut Street, in Philadelphia. Farah, who is an energetic conversationalist, had bought canned espresso drinks for us. Though she does not take neuroenhancers, she has found that her interest in them has renewed her romance with the next best thing: caffeine.

Farah had just finished a paper in which she reviewed the evidence on prescription stimulants as neuroenhancers from forty laboratory studies involving healthy subjects. Most of the studies looked at one of three types of cognition: learning, working memory, and cognitive control. A typical learning test asks subjects to memorize a list of paired words; an hour, a few days, or a week later, they are presented with the first words in the pairs and asked to come up with the second. The studies on learning showed that neuroenhancers did improve retention. The benefits were more apparent in studies where subjects had been asked to remember information for several days or longer.

Working memory has been likened to a mental scratch pad: you use it to keep relevant data in mind while you're completing a task. (Imagine a cross-examination, in which a lawyer has to keep track of the answers a witness has given, and formulate new questions based on them.) In one common test, subjects are shown a series of items—usually letters or numbers—and then presented with challenges: Was this number or letter in the series? Was this one? In the working-memory tests, subjects performed better on neuroenhancers, though several of the studies suggested that the effect depended on how good a subject's working memory was to begin with: the better it was, the less benefit the drugs provided.

The third category that the studies examined was cognitive control—how effectively you can check yourself in circumstances where the most natural response is the wrong one. A classic test is the Stroop Task, in which people are shown the name of a color (let's say orange) written in a different color (let's say purple). They're asked to read the word (which is easy, because our habitual response to a word is to read it) or to name the ink color (which is harder, because our first impulse is to say "orange"). These studies presented a more mixed picture, but over all they showed some benefit "for most normal healthy subjects"—especially for people who had inherently poorer cognitive control.

Farah told me, "These drugs will definitely help some technically normal people—that is, people who don't meet the diagnostic criteria for A.D.H.D. or any kind of cognitive impairment." But, she emphasized, "they will help people in the lower end of the ability range more than in the higher end." One explanation for this phenomenon might be that, the more adept you are at a given task, the less room you have to improve. Farah has a hunch that there may be another reason that existing drugs, so far, at least, don't offer as much help to people with greater intellectual abilities. Drugs like Ritalin and Adderall work, in part, by elevating the amount of dopamine in the brain. Dopamine is something you want just enough of: too little, and you may not be as alert and motivated as you need to be; too much, and you may feel overstimulated. Neuroscientists have discovered that some people have a gene that leads the brain to break down dopamine faster, leaving less of it available; such people are generally a little worse at certain cognitive tasks. People with more available dopamine are generally somewhat better at the same tasks. It makes sense, then, that people with naturally low dopamine would benefit more from an artificial boost.

Of course, learning, working memory, and cognitive control represent just a few aspects of thinking. Farah concluded that studies looking at other kinds of cognition—verbal fluency, for instance—were too few and too contradictory to tell us much. And the effects of neuroenhancers on some vital forms of intellectual activity, such as abstract thought and creativity, have barely been studied at all. Farah said that the extant literature was concerned with "fairly boring kinds of thinking—how long can you stay vigilant while staring at a screen and waiting for a little light to blink." She added, "It would be great to have studies of more flexible kinds of thought."

Both Chatterjee and Farah have wondered whether drugs that heighten users' focus might dampen their creativity. After all, some of our best ideas come to us not when we sit down at a desk but, rather, when we're in the shower or walking the dog—letting our minds roam. Jimi Hendrix reported that the inspiration for "Purple Haze" came to him in a dream; the chemist Friedrich August Kekule claimed that he discovered the ring structure of benzene during a reverie in which he saw the image of a snake biting its tail. Farah told me, "Cognitive psychologists have found that there is a trade-off between attentional focus and creativity. And there is some evidence that suggests that individuals who are better able to focus on one thing and filter out distractions tend to be less creative."

Farah and Chatterjee recently completed a preliminary study looking at the effect of one ten-milligram dose of Adderall on sixteen students doing standard laboratory tests of creative thinking. They did not find that this low dose had a detrimental effect, but both believe that this is only the beginning of the vetting that must be done. "More and more of our young people are using these drugs to help them work," Farah said. "They've got their laptop, their iPhone, and their Adderall. This rising generation of workers and leaders may have a subtly different style of thinking and working, because they're using these drugs or because they learned to work using these drugs, so that even if you take the drugs away they'll still have a certain approach. I'm a little concerned that we could be raising a generation of very focussed accountants."

Farah has also been considering the ethical complications resulting from the rise of smart drugs. Don't neuroenhancers confer yet another advantage on the kind of people who already can afford private tutors and prep courses? At many colleges, students have begun calling the off-label use of neuroenhancers a form of cheating. Writing last year in the Cavalier Daily, the student newspaper of the University of Virginia, a columnist named Greg Crapanzano argued that neuroenhancers "create an unfair advantage for the users who are willing to break the law in order to gain an edge. These students create work that is dependent on the use of a pill rather than their own work ethic." Of course, it's hard to imagine a university administration that would require students to pee in a cup before they get their blue books. And though secretly taking a neuroenhancer for a three-hour exam does seem unfair, condemning the drugs' use seems extreme. Even with the aid of a neuroenhancer, you still have to write the essay, conceive the screenplay, or finish the grant proposal, and if you can take credit for work you've done on caffeine or nicotine, then you can take credit for work produced on Provigil.

Farah questions the idea that neuroenhancers will expand inequality. Citing the "pretty clear trend across the studies that say neuroenhancers will be less helpful for people who score above average," she said that cognitive-enhancing pills could actually become levellers, if they are dispensed cheaply. A 2007 discussion paper published by the British Medical Association also makes this point: "Equality of opportunity is an explicit goal of our education system, giving individuals the best chance of achieving their full potential and of competing on equal terms with their peers. Selective use of neuroenhancers amongst those with lower intellectual capacity, or those from deprived backgrounds who do not have the benefit of additional tuition, could enhance the educational opportunities for those groups." If the idea of giving a pill as a substitute for better teaching seems repellent—like substituting an I.V. drip of synthetic nutrition for actual food—it may nevertheless be preferable to a scenario in which only wealthy kids receive a frequent mental boost.

Farah was one of several scholars who contributed to a recent article in Nature, "Towards Responsible Use of Cognitive Enhancing Drugs by the Healthy." The optimistic tone of the article suggested that some bioethicists are leaning toward endorsing neuroenhancement. "Like all new technologies, cognitive enhancement can be used well or poorly," the article declared. "We should welcome new methods of improving our brain function. In a world in which human workspans and lifespans are increasing, cognitive enhancement tools—including the pharmacological—will be increasingly useful for improved quality of life and extended work productivity, as well as to stave off normal and pathological age-related cognitive declines. Safe and effective cognitive enhancers will benefit both the individual and society." The British Medical Association report offered a similarly upbeat observation: "Universal access to enhancing interventions would bring up the base-line level of cognitive ability, which is generally seen to be a good thing."

And yet when enthusiasts share their vision of our neuroenhanced future it can sound dystopian. Zack Lynch, of NeuroInsights, gave me a rationale for smart pills that I found particularly grim. "If you're a fifty-five-year-old in Boston, you have to compete with a twenty-six-year-old from Mumbai now, and those kinds of pressures are only going to grow," he began. Countries other than the U.S. might tend to be a little looser with their regulations, and offer approval of new cognitive enhancers first. "And if you're a company that's got forty-seven offices worldwide, and all of a sudden your Singapore office is using cognitive enablers, and you're saying to Congress, 'I'm moving all my financial operations to Singapore and Taiwan, because it's legal to use those there,' you bet that Congress is going to say, 'Well, O.K.' It will be a moot question then. It would be like saying, 'No, you can't use a cell phone. It might increase productivity!' "

If we eventually decide that neuroenhancers work, and are basically safe, will we one day enforce their use? Lawmakers might compel certain workers—emergency-room doctors, air-traffic controllers—to take them. (Indeed, the Air Force already makes modafinil available to pilots embarking on long missions.) For the rest of us, the pressure will be subtler—that queasy feeling I get when I remember that my younger colleague is taking Provigil to meet deadlines. All this may be leading to a kind of society I'm not sure I want to live in: a society where we're even more overworked and driven by technology than we already are, and where we have to take drugs to keep up; a society where we give children academic steroids along with their daily vitamins.

Paul McHugh, a psychiatrist at Johns Hopkins University, has written skeptically about cosmetic neurology. In a 2004 essay, he notes that at least once a year in his private practice he sees a young person—usually a boy—whose parents worry that his school performance could be better, and want a medication that will assure it. In most of these cases, "the truth is that the son does not have the superior I.Q. of his parents," though the boy may have other qualities that surpass those of his parents—he may be "handsome, charming, athletic, graceful." McHugh sees his job as trying to get the parents to "forget about adjusting him to their aims with medication or anything else." When I spoke with him on the phone, McHugh expanded on this point: "Maybe it's wrong-footed trying to fit people into the world, rather than trying to make the world a better place for people. And if the idea is that the only college your child can go to is Harvard, well, maybe that's the idea that needs righting."

If Alex, the Harvard student, and Paul Phillips, the poker player, consider their use of neuroenhancers a private act, Nicholas Seltzer sees his habit as a pursuit that aligns him with a larger movement for improving humanity. Seltzer has a B.A. from U.C. Davis and a master's degree in security policy from George Washington University. But the job that he obtained with these credentials—as a researcher at a defense-oriented think tank, in northern Virginia—has not left him feeling as intellectually alive as he would like. To compensate, he writes papers in his spare time on subjects like "human biological evolution and warfare." He also primes his brain with artificial challenges; even when he goes to the rest room at the office, he takes the opportunity to play memory or logic games on his cell phone. Seltzer, who is thirty, told me that he worried that he "didn't have the mental energy, the endurance, the—I don't know what to properly call this—the sponginess that I seem to recall having when I was younger."

Suffice it to say that this is not something you notice when you talk to Seltzer. And though our memory is probably at its peak in our early twenties, few thirty-year-olds are aware of a deficit. But Seltzer is the Washington-wonk equivalent of those models and actors in L.A. who discern tiny wrinkles long before their agent does. His girlfriend, a technology consultant whom he met in a museum, is nine years younger, and he was already thinking about how his mental fitness would stand up next to hers. He told me, "She's twenty-one, and I want to stay young and vigorous and don't want to be a burden on her later in life." He didn't worry about visible signs of aging, but he wanted to keep his mind "nimble and healthy for as long as possible."

Seltzer considers himself a "transhumanist," in the mold of the Oxford philosopher Nick Bostrom and the futurist writer and inventor Ray Kurzweil. Transhumanists are interested in robots, cryogenics, and living a really, really long time; they consider biological limitations that the rest of us might accept, or even appreciate, as creaky obstacles to be aggressively surmounted. On the ImmInst forums—"ImmInst" stands for "Immortality Institute"—Seltzer and other members discuss life-extension strategies and the potential benefits of cognitive enhancers. Some of the forum members limit themselves to vitamin and mineral supplements. Others use Adderall or modafinil or, like Seltzer, a drug called piracetam, which was first marketed by a Belgian pharmaceutical company in 1972 and, in recent years, has become available in the U.S. from retailers that sell supplements. Although not approved for any use by the F.D.A., piracetam has been used experimentally on stroke patients—to little effect—and on patients with a rare neurological condition called progressive myoclonus epilepsy, for whom it proved helpful in alleviating muscle spasms. Data on piracetam's benefits for healthy people are virtually nonexistent, but many users believe that the drug increases blood flow to the brain.

From the time I first talked to Seltzer, it was clear that although he felt cognitive enhancers were of practical use, they also appealed to him on an aesthetic level. Using neuroenhancers, he said, "is like customizing yourself—customizing your brain." For some people, he went on, it was important to enhance their mood, so they took antidepressants; but for people like him it was more important "to increase mental horsepower." He added, "It's fundamentally a choice you're making about how you want to experience consciousness." Whereas the nineties had been about "the personalization of technology," this decade was about the personalization of the brain—what some enthusiasts have begun to call "mind hacking."

Of course, the idea behind mind-hacking isn't exactly new. Fortifying one's mental stamina with drugs of various kinds has a long history. Sir Francis Bacon consumed everything from tobacco to saffron in the hope of goosing his brain. Balzac reputedly fuelled sixteen-hour bouts of writing with copious servings of coffee, which, he wrote, "chases away sleep, and gives us the capacity to engage a little longer in the exercise of our intellects." Sartre dosed himself with speed in order to finish "Critique of Dialectical Reason." My college friends and I wrote term papers with the sweaty-palmed assistance of NoDoz tablets. And, before smoking bans, entire office cultures chugged along on a collective nicotine buzz—at least, if "Mad Men" is to be believed. Seltzer and his interlocutors on the ImmInst forum are just the latest members of a seasoned cohort, even if they have more complex pharmaceuticals at their disposal.

I eventually met Seltzer in an underground food court not far from the Pentagon. We sat down at a Formica table in the dim light. Seltzer was slim, had a shaved head, and wore metal-frame glasses; matching his fastidious look, he spoke precisely, rarely stumbling over his words. I asked him if he had any ethical worries about smart drugs. After a pause, he said that he might have a concern if somebody popped a neuroenhancer before taking a licensing exam that certified him as, say, a brain surgeon, and then stopped using the drug. Other than that, he couldn't see a problem. He said that he was a firm believer in the idea that "we should have a fair degree of liberty to do with our bodies and our minds as we see fit, so long as it doesn't impinge on the basic rights, liberty, and safety of others." He argued, "Why would you want an upward limit on the intellectual capabilities of a human being? And, if you have a very nationalist viewpoint, why wouldn't you want our country to have the advantage over other countries, particularly in what some people call a knowledge-based economy?" He went on, "Think about the complexity of the intellectual tasks that people need to accomplish today. Just trying to understand what Congress is doing is not a simple thing! The complexity of understanding the gamut of scientific and technical and social issues is difficult. If we had a tool that enabled more people to understand the world at a greater level of sophistication, how can we prejudice ourselves against the notion, simply because we don't like athletes to do it? To me, it doesn't seem like the same question. And it deserves its own debate."

Seltzer had never had a diagnosis of any kind of learning disorder. But he added, "Though I wouldn't say I'm dyslexic, sometimes when I type prose, after I look back and read it, I've frequently left out words or interposed words, and sometimes I have difficulty concentrating." In graduate school, he obtained a prescription for Adderall from a doctor who didn't ask a lot of questions. The drug helped him, especially when his ambitions were relatively low. He recalled, "I had this one paper, on nuclear strategy. The professor didn't look favorably on any kind of creative thinking." On Adderall, he pumped out the paper in an evening. "I just bit my tongue, regurgitated, and got a good-enough grade."

On the other hand, Seltzer recalled that he had taken piracetam to write an essay on "the idea of harmony as a trope in Chinese political discourse"—it was one of the papers he was proudest of. He said, "It was really an intellectual challenge to do. I felt that the piracetam helped me to work within the realm of the abstract, and make the kind of associations that I needed—following this idea of harmony from an ancient religious belief as it was translated throughout the centuries into a very important topic in political discourse."

After a hiatus of several years, Seltzer had recently resumed taking neuroenhancers. In addition to piracetam, he took a stack of supplements that he thought helped his brain functioning: fish oils, five antioxidants, a product called ChocoMind, and a number of others, all available at the health-food store. He was thinking about adding modafinil, but hadn't yet. For breakfast every morning, he concocted a slurry of oatmeal, berries, soy milk, pomegranate juice, flaxseed, almond meal, raw eggs, and protein powder. The goal behind the recipe was efficiency: to rely on "one goop you could eat or drink that would have everything you need nutritionally for your brain and body." He explained, "Taste was the last thing on my mind; I wanted to be able to keep it down—that was it." (He told me this in the kitchen of his apartment; he lives with a roommate, who walked in while we were talking, listened perplexedly for a moment, then put a frozen pizza in the oven.)

Seltzer's decision to take piracetam was based on his own online reading, which included medical-journal abstracts. He hadn't consulted a doctor. Since settling on a daily regimen of supplements, he had sensed an improvement in his intellectual work and his ability to engage in stimulating conversation. He continued, "I feel I'm better able to articulate my thoughts. I'm sure you've been in the zone—you're having a really exciting debate with somebody, your brain feels alive. I feel that more. But I don't want to say that it's this profound change."

I asked him if piracetam made him feel smarter, or just more alert and confident—a little better equipped to marshal the resources he naturally had. "Maybe," he said. "I'm not sure what being smarter means, entirely. It's a difficult quality to measure. It's the gestalt factor, all these qualities coming together—not only your ability to crunch some numbers, or remember some figures or a sequence of numbers, but also your ability to maintain a certain emotional state that is conducive to productive intellectual work. I do feel I'm more intelligent with the drugs, but I can't give you a number of I.Q. points."

The effects of piracetam on healthy volunteers have been studied even less than those of Adderall or modafinil. Most peer-reviewed studies focus on its effects on dementia, or on people who have suffered a seizure or a concussion. Many of the studies that look at other neurological effects were performed on rats and mice. Piracetam's mechanisms of action are not understood, though it may increase levels of the neurotransmitter acetylcholine. In 2008, a committee of the British Academy of Medical Sciences noted that many of the clinical trials of piracetam for dementia were methodologically flawed. Another published review of the available studies of the drug concluded that the evidence "does not support the use of piracetam in the treatment of people with dementia or cognitive impairment," but suggested that further investigation might be warranted. I asked Seltzer if he thought he should wait for scientific ratification of piracetam. He laughed. "I don't want to," he said. "Because it's working."

It makes no sense to ban the use of neuroenhancers. Too many people are already taking them, and the users tend to be educated and privileged people who proceed with just enough caution to avoid getting into trouble. Besides, Anjan Chatterjee is right that there is an apt analogy with plastic surgery. In a consumer society like ours, if people are properly informed about the risks and benefits of neuroenhancers, they can make their own choices about how to alter their minds, just as they can make their own decisions about shaping their bodies.

Still, even if you acknowledge that cosmetic neurology is here to stay, there is something dispiriting about the way the drugs are used—the kind of aspirations they open up, or don't. Jonathan Eisen, an evolutionary biologist at U.C. Davis, is skeptical of what he mockingly calls "brain doping." During a recent conversation, he spoke about colleagues who take neuroenhancers in order to grind out grant proposals. "It's weird to me that people are taking these drugs to write grants," he said. "I mean, if you came up with some really interesting paper that was spurred by taking some really interesting drug—magic mushrooms or something—that would make more sense to me. In the end, you're only as good as the ideas you've come up with."

But it's not the mind-expanding sixties anymore. Every era, it seems, has its own defining drug. Neuroenhancers are perfectly suited for the anxiety of white-collar competition in a floundering economy. And they have a synergistic relationship with our multiplying digital technologies: the more gadgets we own, the more distracted we become, and the more we need help in order to focus. The experience that neuroenhancement offers is not, for the most part, about opening the doors of perception, or about breaking the bonds of the self, or about experiencing a surge of genius. It's about squeezing out an extra few hours to finish those sales figures when you'd really rather collapse into bed; getting a B instead of a B-minus on the final exam in a lecture class where you spent half your time texting; cramming for the G.R.E.s at night, because the information-industry job you got after college turned out to be deadening. Neuroenhancers don't offer freedom. Rather, they facilitate a pinched, unromantic, grindingly efficient form of productivity.

This winter, I spoke again with Alex, the Harvard graduate, and found that, after a break of several months, he had gone back to taking Adderall—a small dose every day. He felt that he was learning to use the drug in a more "disciplined" manner. Now, he said, it was less about staying up late to finish work he should have done earlier, and more "about staying focussed on work, which makes me want to work longer hours." What employer would object to that?

The joy of exclamation marks!

, April 29, 2009

The joy of exclamation marks!

Exclamation marks used to be frowned upon. Now look what's happened! We use them all the time! Hurrah!!!

But what is it about the age of email that gets people so over-excited?

 

The Guardian, Wednesday 29 April 2009
 
exclamation
 

There is a town of 1,471 happy souls in Quebec called Saint-Louis-du-Ha! Ha!. The second "Ha!", amazingly, is part of the town's name, not my commentary on the first "Ha!". Unlike, for example, the Devon town of Westward Ho! Ho! There, the second "Ho!" is mine. Saint-Louis-du-Ha! Ha! is the only town in the world whose name has two exclamation marks. It will remain so until Wolverhampton is renamed Wolverhampton!! to highlight its funky new Black Country vibe, which, all things considered, seems unlikely.

Or maybe I'm wrong. After all, exclamation marks - those forms of punctuation derided by the funless and fastidious - are making a comeback, thanks to an internet renaissance that is bleeding over into every form of written communication. Once it was bad form to end a paragraph with an exclamation mark. Now it's borderline obligatory. Once it was enough to put a sign on your door: "Back in five minutes." Now, without the flourish of an exclamation mark, that sign lacks verve or at least zeitgeisty voguishness. Go figure!

More of that later. First, why did Saint-Louis-du-Ha! Ha! get its enviable name? The Commission de Toponymie de Québec says that Saint-Louis-du-Ha! Ha! is so named because in olden times "le haha" in French meant an impasse, and that there was just such an unexpected obstacle blocking a waterway near the site of the future town. Eighteenth- and 19th-century canoeists paddling down the local river came across such a haha, then had to get out of their canoes and take a vexing 80km detour. Hence the town's name.

But if the commission's explanation is right, then surely the town should have been called Saint-Louis-du-Haha. But it isn't. What happened? Someone went potty with the exclamation marks, throwing them around with gay abandon!!! The two exclamation marks serve as reminders of those happy days when we weren't so parsimonious with what Lynne Truss, in her book on punctuation, Eats, Shoots and Leaves, calls, "a screamer, a gasper, a startler or (sorry) a dog's cock". That was her "sorry" not mine.

Novelists (at least male ones) are apt to be mean-spirited about dog's cocks. "Cut out all those exclamation marks," wrote F Scott Fitzgerald. "An exclamation mark is like laughing at your own jokes." It isn't actually. When one German starts a letter to another with "Lieber Franz!" they are merely obeying cultural norms, not laughing at their own jokes. Nor is chess notation, which teems with exclamation marks, especially funny. No matter. Elmore Leonard wrote of exclamation marks: "You are allowed no more than two or three per 100,000 words of prose." Which means, on average, an exclamation mark every book and a half. In the ninth book of Terry Pratchett's Discworld series, Eric, one of the characters insists that "Multiple exclamation marks are a sure sign of a diseased mind." In Maskerade, the 18th in the series, another character remarks: "And all those exclamation marks, you notice? Five? A sure sign of someone who wears his underpants on his head."

There are lots of people these days with figurative underpants on their heads. That's because in the internet age, the exclamation mark is having a renaissance. In a recent book, Send: The Essential guide to Email for Office and Home, David Shipley and Will Schwalbe make a defence of exclamation marks. They write, for instance, "'I'll see you at the conference' is a simple statement of fact. 'I'll see you at the conference!' lets your fellow conferee know that you're excited and pleased about the event ... 'Thanks!!!!'", they contend, "is way friendlier than 'Thanks'."

Shipley is comment editor of the New York Times, and Schwalbe, editor-in-chief of Hyperion Books. Those of you thinking that grown men with serious jobs should be above such phrases as "way friendlier" should realise that in the 21st century, adult appropriation of infantilisms is de rigueur, innit? Today, no one reads or cares about Fowler's Modern English Usage, in which it is maintained: "Except in poetry the exclamation mark should be used sparingly. Excessive use of exclamation marks in expository prose is a sure sign of an unpractised writer or of one who wants to add a spurious dash of sensation to something unsensational."

Shipley and Schwalbe argue that in the internet age, a dash of sensation is just what is needed. "Email is without affect," they write. "It has a dulling quality that almost necessitates kicking everything up a notch just to bring it to where it would normally be." Shipley and Schwalbe are merely offering a post-hoc justification of what already happens online. OMG!!! We like totally used exclamation marks before Shipley and Schalbe said it was OK!!!

Hold on a second. Why should email in particular be without affect? Weren't earlier forms of written correspondence - telegrams, say, or letters - equally so? There must be something else going on. Arguably, users of each form develop styles to suit the medium. Telegrams, for instance, were likely to be terse, if only for financial reasons. Thus, one day Victor Hugo sent a telegram to his publisher. He wanted to know how his new book was doing. His telegram read: "?"; the publisher's reply: "!". The exclamation mark, you see, meant Hugo's book was doing well. The publisher could have deployed sentences of Proustian length to explain the novel's success among the target demographic of 18- to 35-year-old Parisians, but he saved a few centimes by cutting to the chase.

It is important to realise that advances in technology (if that's what they are) affect how we write. And how we write includes how often we deploy the beloved gasper. Before the 1970s, few manual typewriters were equipped with an exclamation mark key. Instead, if you wanted to express your unbridled joy at - ooh, I don't know - the budding loveliness of an early spring morning and gild the lily of your purple prose with an upbeat startler, you would have to type a full stop, then back space, push the shift key and type an apostrophe. Which is enough to take the joie de vivre out of anyone's literary style. In the springs following the advent of the manual typewriter's exclamation marks, typed paeans to seasonal budding loveliness teemed with exclamation marks. Or at least I hypothesise that they did. I wasn't paying attention at the time.

But technological change is not the only reason for variations in the use of exclamations. Carol Waseleski's unexpectedly diverting paper, Gender and the Use of Exclamation Points in Computer-Mediated Communication, found that women used more exclamation marks than men. But why was this? Are women more excitable? Some theorists (notably D Rubin and K Greene in their paper Gender-Typical Style in Written Language) had argued that the exclamation mark was often a sign of excitability, and that "a high frequency of exclamation points can be regarded as sort of an orthographic intensifier signalling 'I really mean this!'" They also argued that this might convey the writer's lack of stature; that, in fact, a confident person (read: man) could "affirm their views by simply asserting them". Perhaps then the use of multiple exclamation marks is not simply a sign that someone is wearing underpants on their head, but of deeply unmasculine insecurity about expressing one's thoughts. Or maybe that's just my theory!

Waseleski found otherwise. She concluded that exclamation marks were not just marks of excitability but of friendliness, and suggested that one reason women use them more than men is because they were, as a gender, less likely to be socially inept, funless egotists - which isn't quite how she put it. Instead, she wrote: "The results point to the need to reconsider the negative labels that have often been associated with female communication styles, and to investigate [their use] as they relate to email and other forms of computer-mediated communication."

Let's have a go. Why are exclamation marks so big in the internet age? "I haven't noticed any great explosion of exclamation marks recently," says Truss, "but I do think people are generally trying to get expression into email - and exclamation marks are good for getting attention." One possibility is that one can read and send so much stuff that it becomes a less self-conscious medium. Hence those slackers who write everything in lower case, and those who lock their shift keys to FRANKLY ANNOYING EFFECT. Hence, too, perhaps, a free-and-easy way with exclamation marks.

But that's simplistic: there are thousands of emailers who are all-too-conscious - for instance, those who write for that harsh taskmaster, posterity, and weigh every orthographic mark with unwonted care.

We are all, as Marvin Gaye noted, sensitive people with such a lot to give - and some people give (unwittingly) too much of themselves in email correspondence and that gets on the nerves of tight-arse limeys such as me. But the opposite applies: sometimes email correspondents seem to be expressing friendliness when they are really not. Consider email kisses from strangers (as I did in an article). Were all those women who concluded their angry letters complaining about my articles with kisses really coming on to me? Sadly not. Instead, they were bending the knee to a cultural norm of email correspondence whereby friendliness is obligatory. I thought these women were rushing things; in reality they were treating me the same as they would any other correspondent. It's very confusing.

Shipley and Schwalbe are right when they say a sentence without exclamation marks is less friendly than one with at least two. When, though, did friendliness become the arbiter of orthographic etiquette? There is surely a point after which exclamation marks no longer express friendliness. In this post-literal time, exclamation marks become signs of sarcasm as witty correspondents rebel against their overuse. Hence: "I loved your last email! OMG did I LOVE it!!!!!!" The point is they didn't. They were being IRONIC.

The origin of the exclamation mark is uncertain. The first one appeared in print around 1400. The exclamation mark, it has been argued, derives from the Latin Io (which means joy). One day (we hypothesise) somebody wrote a joyful upbeat sentence and to clinch that sense, they concluded it by putting the second letter of Io under the first.

How lovely it would be if we could recapture that original, pre-ironic wonder that made writers slip the o under the I! And how lovely it would be if we named our towns with transforming marks of wonder just as some French Canadians did all those years ago. Saint-Louis-du-Ha! Ha! It just raises your spirits to read that lovely name, doesn't it? No? Well, it raises mine!

In and out of style: Punctuation past and present

The full stop

It stops, and it will never stop being useful. Often used for rhetorical effect to break up sentences into. Significant. Words. Or phrases. Ed McBain wrote: "Oh, boy. What a week." The 1906 edition of the King's English lamented "spot-plague", meaning the full stop has to do all the work. In the intervening period, the full stop. Has. Done more work. Than Edwardian lexicographers. Would have thought possible.

Ellipsis

I love ellipses, which are also experiencing a revival online (so easy not to finish a thought but instead to lean on your full-stop key .... ), and I use them to seem cleverer. Ellipses confer gravitas on banal thoughts ...

The comma

Use wrongly and hilarity ensues. Thus: "Mr Douglas Hogg said that he had shot, himself, as a young boy." Take out the commas, and Hogg mutates into someone who takes himself out.

The semi-colon

Yay or nay? Literary types divide over this. In France, they have been arguing about it histrionically. Lynne Truss argues that "they are the thermals that benignly waft our sentences to new altitudes". George Orwell once purged A Clergyman's Daughter of the semi-colons, arguing they were unnecessary.

The colon

Functional, utilitarian. Fowler said that, "the colon ... has acquired a special function, that of delivering the goods that have been invoiced in the preceding words". Dull, isn't it?

The question mark

Thanks to Australian uptalking, this, like the exclamation mark, is undergoing a renaissance? Now, it can be used at the end of any sentence? It makes everything you write read like Russell Crowe whining about the media? This, to be sure, is no advance? Or is it?

• This article was amended on Wednesday 29 April 2009. We referred to a German person starting a letter with the greeting 'Liebe Franz!" when we should have said 'Lieber Franz!'. This has been corrected.

Pedagogy of the Oppressor

May 15, 2009
City Journal Home.

Pedagogy of the Oppressor
Another reason why U.S. ed schools are so awful: the ongoing influence of Brazilian Marxist Paulo Freire
Sol Stern
Spring 2009
 

Like the more famous Teach for America, the New York Teaching Fellows program provides an alternate route to state certification for about 1,700 new teachers annually. When I met with a group of the fellows taking a required class at a school of education last summer, we began by discussing education reform, but the conversation soon took a turn, with many recounting one horror story after another from their rocky first year: chaotic classrooms, indifferent administrators, veteran teachers who rarely offered a helping hand. You might expect the required readings for these struggling rookies to contain good practical tips on classroom management, say, or sensible advice on teaching reading to disadvantaged students. Instead, the one book that the fellows had to read in full was Pedagogy of the Oppressed, by the Brazilian educator Paulo Freire.

For anyone familiar with American schools of education, the choice wasn't surprising. Since the publication of the English edition in 1970, Pedagogy of the Oppressed has achieved near-iconic status in America's teacher-training programs. In 2003, David Steiner and Susan Rozen published a study examining the curricula of 16 schools of education—14 of them among the top-ranked institutions in the country, according to U.S. News and World Report—and found that Pedagogy of the Oppressed was one of the most frequently assigned texts in their philosophy of education courses. These course assignments are undoubtedly part of the reason that, according to the publisher, almost 1 million copies have sold, a remarkable number for a book in the education field.

The odd thing is that Freire's magnum opus isn't, in the end, about education—certainly not the education of children. Pedagogy of the Oppressed mentions none of the issues that troubled education reformers throughout the twentieth century: testing, standards, curriculum, the role of parents, how to organize schools, what subjects should be taught in various grades, how best to train teachers, the most effective way of teaching disadvantaged students. This ed-school bestseller is, instead, a utopian political tract calling for the overthrow of capitalist hegemony and the creation of classless societies. Teachers who adopt its pernicious ideas risk harming their students—and ironically, their most disadvantaged students will suffer the most.

To get an idea of the book's priorities, take a look at its footnotes. Freire isn't interested in the Western tradition's leading education thinkers—not Rousseau, not Piaget, not John Dewey, not Horace Mann, not Maria Montessori. He cites a rather different set of figures: Marx, Lenin, Mao, Che Guevara, and Fidel Castro, as well as the radical intellectuals Frantz Fanon, Régis Debray, Herbert Marcuse, Jean-Paul Sartre, Louis Althusser, and Georg Lukács. And no wonder, since Freire's main idea is that the central contradiction of every society is between the "oppressors" and the "oppressed" and that revolution should resolve their conflict. The "oppressed" are, moreover, destined to develop a "pedagogy" that leads them to their own liberation. Here, in a key passage, is how Freire explains this emancipatory project:

The pedagogy of the oppressed [is] a pedagogy which must be forged with, not for, the oppressed (whether individuals or peoples) in the incessant struggle to regain their humanity. This pedagogy makes oppression and its causes objects of reflection by the oppressed, and from that reflection will come their necessary engagement in the struggle for their liberation. And in the struggle this pedagogy will be made and remade.

As the passage makes clear, Freire never intends "pedagogy" to refer to any method of classroom instruction based on analysis and research, or to any means of producing higher academic achievement for students. He has bigger fish to fry. His idiosyncratic theory of schooling refers only to the growing self-awareness of exploited workers and peasants who are "unveiling the world of oppression." Once they reach enlightenment, mirabile dictu, "this pedagogy ceases to belong to the oppressed and becomes a pedagogy of all people in the process of permanent liberation."

Seldom does Freire ground his description of the clash between oppressors and oppressed in any particular society or historical period, so it's hard for the reader to judge whether what he is saying makes any sense. We don't know if the oppressors he condemns are North American bankers, Latin American land barons, or, for that matter, run-of-the-mill, authoritarian education bureaucrats. His language is so metaphysical and vague that he might just as well be describing a board game with two contesting sides, the oppressors and the oppressed. When thinking big thoughts about the general struggle between these two sides, he relies on Marx's standard formulation that "the class struggle necessarily leads to the dictatorship of the proletariat [and] this dictatorship only constitutes the transition to the abolition of all classes and to a classless society."

In one footnote, however, Freire does mention a society that has actually realized the "permanent liberation" he seeks: it "appears to be the fundamental aspect of Mao's Cultural Revolution." The millions of Chinese of all classes who suffered and died under the revolution's brutal oppression might have disagreed. Freire also offers professorial advice to revolutionary leaders, who "must perceive the revolution, because of its creative and liberating nature, as an act of love." Freire's exemplar of this revolutionary love in action is none other than that poster child of 1960s armed rebellion, Che Guevara, who recognized that "the true revolutionary is guided by strong feelings of love." Freire neglects to mention that Che was one of the most brutal enforcers of the Cuban Revolution, responsible for the execution of hundreds of political opponents.

After all this, murkiness may be the least of the book's problems, but it is nevertheless worth quoting the book's opening rumination:

While the problem of humanization has always, from an axiological point of view, been humankind's central problem, it now takes on the character of an inescapable concern. Concern for humanization leads at once to the recognition of dehumanization, not only as an ontological possibility but as an historical reality. And as an individual perceives the extent of dehumanization, he or she may ask if humanization is a viable possibility. Within history, in concrete, objective contexts, both humanization and dehumanization are possibilities for a person as an uncompleted being conscious of their incompletion.

Roughly translated: "humanization" is good and "dehumanization" is bad. Oh, for the days when revolutionary tracts got right to the point, as in: "A specter is haunting Europe."

How did this derivative, unscholarly book about oppression, class struggle, the depredations of capitalism, and the need for revolution ever get confused with a treatise on education that might help solve the problems of twenty-first-century American inner-city schools? The answer to that question begins in Pernambuco, a poverty-stricken province in northeastern Brazil. In the 1950s and sixties, Freire was a university professor and radical activist in the province's capital city, Recife, where he organized adult-literacy campaigns for disenfranchised peasants. Giving them crash courses in literacy and civics was the most efficient means of mobilizing them to elect radical candidates, Freire realized. His "pedagogy," then, began as a get-out-the-vote campaign to gain political power.

In 1964, a military coup struck Brazil. Freire spent some time in jail and was then exiled to Chile, where—inspired by his work with the Brazilian peasants—he worked on Pedagogy of the Oppressed. Hence the book's insistence that schooling is never a neutral process and that it always has a dynamic political purpose. And hence, too, one of the few truly pedagogical points in the book: its opposition to taxing students with any actual academic content, which Freire derides as "official knowledge" that serves to rationalize inequality within capitalist society. One of Freire's most widely quoted metaphors dismisses teacher-directed instruction as a misguided "banking concept," in which "the scope of action allowed to the students extends only as far as receiving, filing and storing the deposits." Freire proposes instead that teachers partner with their coequals, the students, in a "dialogic" and "problem-solving" process until the roles of teacher and student merge into "teacher-students" and "student-teachers."

After the 1970 publication of the book's English edition, Freire received an invitation to be a guest lecturer at the Harvard Graduate School of Education, and over the next decade he found enthusiastic audiences in American universities. Pedagogy of the Oppressed resonated with progressive educators, already committed to a "child-centered" rather than a "teacher-directed" approach to classroom instruction. Freire's rejection of teaching content knowledge seemed to buttress what was already the ed schools' most popular theory of learning, which argued that students should work collaboratively in constructing their own knowledge and that the teacher should be a "guide on the side," not a "sage on the stage."

In Pedagogy of the Oppressed, Freire had listed ten key characteristics of the "banking" method of education that purported to show how it opposed disadvantaged students' interests. For instance, "the teacher talks and the students listen—meekly"; "the teacher chooses and enforces his choice, and the students comply"; "the teacher disciplines and the students are disciplined"; and "the teacher chooses the program content, and the students (who were not consulted) adapt to it." Freire's strictures reinforced another cherished myth of American progressive ed—that traditional teacher-directed lessons left students passive and disengaged, leading to higher drop-out rates for minorities and the poor. That description was more than a caricature; it was a complete fabrication. Over the last two decades, E. D. Hirsch's Core Knowledge schools have proved over and over again not only that content-rich teaching raises the academic achievement of poor children on standardized tests but that those students remain curious, intellectually stimulated, and engaged—though the education schools continue to ignore these documented successes.

Of course, the popularity of Pedagogy of the Oppressed wasn't due to its educational theory alone. During the seventies, veterans of the student-protest and antiwar movements put down their placards and began their "long march through the institutions," earning Ph.D.s and joining humanities departments. Once in the academy, the leftists couldn't resist incorporating their radical politics (whether Marxist, feminist, or racialist) into their teaching. Celebrating Freire as a major thinker gave them a powerful way to do so. His declaration in Pedagogy of the Oppressed that there was "no such thing as a neutral education" became a mantra for leftist professors, who could use it to justify proselytizing for America-hating causes in the college classroom.

Here and there, some leftist professors recognized the dangers to academic discourse in this obliteration of the ideal of neutrality. In Radical Teacher, the noted literary critic Gerald Graff—a former president of the ultra–politically correct Modern Language Association—took on his fellow profs, arguing that "however much Freire insists on 'problem-posing' rather than 'banking' education, the goal of teaching for Freire is to move the student toward what Freire calls 'a critical perception of the world,' and there seems little question that for Freire only Marxism or some version of Leftist radicalism counts as a genuine 'critical perception.' " Elsewhere, Graff went even further in rejecting the Freirian model of teaching:

What right do we have to be the self-appointed political conscience of our students? Given the inequality in power and experience between students and teachers (even teachers from disempowered groups) students are often justifiably afraid to challenge our political views even if we beg them to do so. . . . Making it the main object of teaching to open "students' minds to left, feminist, anti-racist, and queer ideas" and "stimulate" them (nice euphemism that) "to work for egalitarian change" has been the fatal mistake of the liberatory pedagogy movement from Freire in the 1960s to today.

But Graff's cautionary advice fell on deaf ears in the academy. And not only did indoctrination in the name of liberation infest American colleges, where students could at least choose the courses they wanted to take; through a cadre of radical ed-school professors, the Freirian agenda came to K–12 classrooms as well, in the form of an expanding movement for "teaching for social justice."

As a case in point, consider the career of Robert Peterson. Peterson started out in the 1980s as a young elementary school teacher in inner-city Milwaukee. He has described how he plumbed Pedagogy of the Oppressed, looking for some way to apply the great radical educator's lessons to his own fourth- and fifth-grade bilingual classrooms. Peterson came to realize that he had to break away from the "banking method" of education, in which "the teacher and the curricular texts have the 'right answers' and which the students are expected to regurgitate periodically." Instead, he applied the Freirian approach, which "relies on the experience of the student. . . . It means challenging the students to reflect on the social nature of knowledge and the curriculum." Peterson would have you believe that his fourth- and fifth-graders became critical theorists, interrogating the "nature of knowledge" like junior scholars of the Frankfurt School.

What actually happened was that Peterson used the Freirian rationale to become his students' "self-appointed political conscience." After one unit on U.S. intervention in Latin America, Peterson decided to take the children to a rally protesting U.S. aid to the Contras opposing the Marxist Sandinistas in Nicaragua. The children stayed after school to make placards:

let them run their land! help central america don't kill them give the nicaraguans their freedom

Peterson was particularly proud of a fourth-grader who described the rally in the class magazine. "On a rainy Tuesday in April some of the students from our class went to protest against the contras," the student wrote. "The people in Central America are poor and bombed on their heads. When we went protesting it was raining and it seemed like the contras were bombing us."

These days, Peterson is the editor of Rethinking Schools, the nation's leading publication for social-justice educators. He is also the editor of a book called Rethinking Mathematics: Teaching Social Justice by the Numbers, which provides math lessons for indoctrinating young children in the evils of racist, imperialist America. Partly thanks to Peterson's efforts, the social-justice movement in math, as in other academic subjects, has fully arrived (see "The Ed Schools' Latest—and Worst—Humbug," Summer 2006). It has a foothold in just about every major ed school in the country and enjoys the support of some of the biggest names in math education, including several recent presidents of the 25,000-member American Education Research Association, the umbrella organization of the education professoriate. Its dozens of pseudo-scholarly books, journals, and conferences extol the supposed benefits to disadvantaged kids of the kind of teaching that Peterson once inflicted on his Milwaukee fourth-graders.

To counter the criticism that the movement's objective is political indoctrination, social-justice educators have developed a scholarly apparatus designed to portray social-justice teaching as just another reasonable education approach backed by "research." Thus a recent issue of Columbia University's Teachers College Record (which bills itself as "the voice of research in education") carried a lead article by University of Illinois math education professor Eric Guttstein reporting the results of "a two-year qualitative, practitioner-research study of teaching and learning for social justice." The "practitioner research" consisted entirely of Guttstein's observing his own Freirian math instruction in a Chicago public school for two years and then concluding that it was a great success. Part of the evidence was a statement by one of his students: "I thought math was just a subject they implanted on us just because they felt like it, but now I realize that you could use math to defend your rights and realize the injustices around you." Guttstein concludes that "youth in K–12 classrooms are more than just students—they are, in fact, actors in the struggle for social justice."

There's no evidence that Freirian pedagogy has had much success anywhere in the Third World. Nor have Freire's favorite revolutionary regimes, like China and Cuba, reformed their own "banking" approaches to education, in which the brightest students are controlled, disciplined, and stuffed with content knowledge for the sake of national goals—and the production of more industrial managers, engineers, and scientists. How perverse is it, then, that only in America's inner cities have Freirian educators been empowered to "liberate" poor children from an entirely imagined "oppression" and recruit them for a revolution that will never come?

Freire's ideas are harmful not just to students but to the teachers entrusted with their education. A broad consensus is emerging among education reformers that the best chance of lifting the academic achievement of children in the nation's inner-city schools is to raise dramatically the effectiveness of the teachers assigned to those schools. Improving teacher quality as a means of narrowing racial achievement gaps is a major focus of President Obama's education agenda. But if the quality of teachers is now the name of the game, it defies rationality that Pedagogy of the Oppressed still occupies an exalted place in training courses for those teachers, who will surely learn nothing about becoming better instructors from its discredited Marxist platitudes.

In the age of Obama, finally, it seems all the more unacceptable to encourage inner-city teachers to take the Freirian political agenda seriously. If there is any political message that those teachers ought to be bringing to their students, it's one best articulated by our greatest African-American writer, Ralph Ellison, who affirmed that he sought in his writing "to see America with an awareness of its rich diversity and its almost magical fluidity and freedom. . . . confronting the inequalities and brutalities of our society forthrightly, yet thrusting forth its images of hope, human fraternity, and individual self-realization."

Sol Stern is a contributing editor of City Journal, a senior fellow at the Manhattan Institute, and the author of Breaking Free: Public School Lessons and the Imperative of School Choice.

Mãe branca de Yemanjá

Fonte: O Estado de SP - 17 de maio de 2009

____________________________________________
Mãe branca de Yemanjá

Ela é a síntese França-Brasil: trocou o grand monde de Paris por um terreiro na Baixada Fluminense

Ivan Marsiglia - O Estado de S.Paulo

Durante uma festa em 1959, sentiu um vazio que a derrubou no chão: havia 'bolado o santo'

 

SANTA CRUZ DA SERRA, RJ - De Gisèle Cossard Binon, cidadã francesa, mulher de diplomata, herdeira de uma mansão no Parc des Sceaux, nos arredores de Paris, branca de olhos azuis, nasceu Omindarewá, mãe-de-santo, dona de terreiro e moradora da Baixada Fluminense. A concepção dessa nova e inusitada persona talvez remonte aos ecos de sua infância no Marrocos, onde nasceu e viveu até um ano e meio de idade. Ou pode ter sido gestada durante sua passagem pela África, onde morou oito anos com os dois filhos e o marido, funcionário do serviço exterior francês. Quando a "outra" finalmente veio à luz, numa viagem ao Brasil, Gisèle a manteve escondida da própria família e dos colegas da fina flor da sociedade franco-carioca. Assim subsistiu por mais de uma década, até sua possessão irrefreável e definitiva.

A trajetória da socialite francesa que virou autoridade do candomblé daria um filme. E deu. O documentário, dirigido por Clarice Ehlers Peixoto, professora da Universidade Estadual do Rio de Janeiro (Uerj), foi produzido com o apoio da Fundação Carlos Chagas Filho de Amparo à Pesquisa (Faperj) e será lançado em setembro no âmbito das comemorações do Ano da França no Brasil. "O que mais me impressionou foi a ruptura que ela fez com o mundo burguês e intelectual para ir viver em Santa Cruz da Serra, na Baixada Fluminense, no meio de gente simples e de pouca instrução", conta Clarice.

Aos 86 anos, Omindarewá ou Gisèle Francesa, como é conhecida pela vizinhança da cidade à beira da estrada Rio-Petrópolis, comanda um arborizado terreiro, decorado "com gosto francês", na definição da diretora do filme: móveis rústicos, luminárias de garrafões de vidro cortados, esculturas e máscaras africanas. Um mobiliário coletado ao longo de uma existência aventurosa, orientada, como Gisèle diz logo no início do documentário, por um "desejo ardente de evasão para uma outra vida, não-conformista".

Filha de pai professor e mãe pianista, ela cresceu em Paris entre aulas de violoncelo e balé, mas sem grande entusiasmo pelo savoir-vivre francês. "Só tinha olhos para as brincadeiras, as pessoas e a vida lá fora." Esse desejo de evasão esteve presente desde sempre: "Meus pais falavam muito do tempo que vivemos no Marrocos como uma época encantada. Então, fiquei com essa lembrança sem ter." Essa rebeldia difusa iria encontrar uma causa durante a 2ª Guerra Mundial e o jugo nazista sobre a França.

A família toda se engajou na Resistência e Gisèle, vinte e poucos anos, cruzava as ruas de Paris de bicicleta, com mapas sobre as posições alemãs escondidos em um fundo falso na sola do tamanco. Foi nessa época que conheceu o jovem professor de geografia com o qual se casaria em 1945. Nos dois anos seguintes, Jean Binon deu-lhe dois filhos, Bertrand e Claude, e, em seguida, recrutado pelo Ministério das Relações Exteriores, realizou-lhe o sonho de morar na África - pesadelo de nove em cada dez mulheres de diplomatas brasileiros. Em 1949, a família se mudava para a República dos Camarões para tocar um projeto de educação na então colônia francesa. Três anos depois iriam para o Chade, onde viveriam mais cinco.

"Eu estava felicíssima, caçava, nadava no Rio Chari e tentava entender aquela realidade tão diversa", lembra Gisèle, que logo perceberia, no entanto, que brancos e negros viviam em mundos separados. E os primeiros se julgavam superiores e não faziam nenhum esforço para compreender a mentalidade africana. Se o calor não incomodava o casal Binon, a temperatura política começava a escalada que culminaria nas guerras coloniais de libertação. A sensação se confirmou durante a viagem de Land Rover que o casal fez pelo continente em 1956. Com Gisèle ao volante e cuidando da mecânica -- "meu marido não era nada prrrático", diz, com o sotaque que nunca perdeu - percorreram 14 mil quilômetros de estradas precárias, cruzando países como o Congo, Uganda e Quênia. Na volta, decidiram "ir embora antes de levar um pontapé".

O intervalo em Paris não duraria mais que dois anos, até que Jean Binon fosse nomeado conselheiro cultural da Embaixada da França no Rio de Janeiro, em 1959. Gisèle chegou ao porto do Rio numa Quarta-Feira de Cinzas. "Uma sujeira, gente dormindo na rua com as fantasias rasgadas e a maquiagem derretendo, aquilo me impressionou muito mal", lembra. Começou uma vida entediante, feita de recepções e canapés, que viraria de cabeça para baixo ao conhecer Abdias Nascimento, dramaturgo, poeta e ativista negro que a iniciou na cultura dos morros e subúrbios cariocas.

Foi numa dessas ocasiões, durante uma festa de candomblé no terreiro de Joãozinho da Goméia, em Caxias, que outra pessoa surgiu de dentro de Gisèle. Sob as batidas hipnotizantes dos atabaques, ela sentiu um vazio no estômago que lhe tomou os sentidos e a derrubou no chão. A francesa havia "bolado no santo", no dizer dos adeptos da religião afro-brasileira: Yemanjá "tomou sua cabeça" para dizer que a havia escolhido, conforme explicou Joãozinho da Goméia. "No início, tentei resistir. Disse a ele que minha família não sabia de nada e não podia deixar minhas obrigações na embaixada. Mas nos dias seguintes fui sentindo tonteiras, e virou uma coisa que eu não podia mais evitar."

Em outubro de 1960, a "embaixatriz", como o pai-de-santo a chamava, aproveitou uma viagem de Jean Binon a Paris para "fazer a cabeça", sua iniciação, na casa de Goméia. "Disse a ele que não poderia raspar o cabelo todo para ninguém perceber. Só aqui em cima, onde coloquei um coque postiço", ri. "Eu tinha duas vidas, a de mulher de diplomata e a de filha de santo." O marido, obcecado com a carreira, nem notou. Enquanto isso, madame aprendia a depenar galinha, pegar lenha e matar "bicho de quatro pés". Mas não seria tão cedo que ela iria incorporar sua nova personalidade.

Em 1962, a administração francesa chamou seu funcionário de volta e a família retornou a Paris. Os filhos já estavam criados e Jean e Gisèle, compreensivelmente, tinham virado dois estranhos. Veio a separação. Mais dolorosa para Gisèle, porém, era a saudade dos terreiros. Decidiu estudar o assunto na faculdade: "Era uma maneira de me manter ligada ao candomblé, para não afundar."

Sem sequer conhecê-lo, marcou um encontro com o sociólogo Roger Bastide, que havia feito parte da missão francesa trazida ao Brasil em 1938 para a fundação da Universidade de São Paulo, ao lado de Claude Lévi-Strauss e Fernand Braudel. Bastide era autor de um estudo clássico, O Candomblé da Bahia. Gisèle pediu que ele a orientasse e desembestou a falar sobre sua experiência. O professor a interrompeu: "Minha senhora, escreve, escreve, que já está sabendo mais do que eu."

Em 1970, Gisèle defendia tese de doutorado em antropologia na Sorbonne, intitulada Candomblé Angola (publicada no Brasil em 2006 pela editora Pallas, em versão ampliada, com o título Awô: O Mistério dos Orixás). Fez amizade com o fotógrafo e etnógrafo Pierre Verger, que também desembarcara na Bahia, em 1946, para documentar as religiões afro-brasileiras. Mas, como não queria voltar ao País com uma mão na frente e outra atrás, prestou concurso e esperou até 1972 para conseguir um posto no Rio.

Quando finalmente voltou ao Brasil, como conselheira pedagógica do serviço cultural francês, Joãozinho da Goméia já havia morrido e ela dificilmente seria aceita por outro babalorixá. A oportunidade viria pelas mãos de seu amigo Pierre Verger, que se hospedou no apartamento de Gisèle na Lagoa com o pai-de-santo baiano Balbino Daniel de Paula, sobre quem o fotógrafo fazia um filme. Um acidente, porém, se interporia no caminho.

No dia 8 de dezembro de 1973, no meio de uma tempestade, o carro de Gisèle rodou numa curva da Rodovia Washington Luís. Ela feriu a cabeça, teve cinco costelas quebradas e sofreu perfuração do pulmão. Balbino se prontificou a ajudá-la. Gisèle convalescia havia 11 dias sem sair da cama, na casa que acabara de comprar em Santa Cruz da Serra, quando o pai-de-santo trouxe oferendas para o orixá da amiga. "Então, ele soltou fumaça de charuto no meu rosto e a minha Yemanjá veio. Eu levantei, dancei e ele se encantou." Pai Balbino completou a formação de Omindarewá - que quer dizer "água límpida" - e ela passou a se dedicar exclusivamente aos orixás depois que se aposentou do serviço público francês, em 1980.

Hoje, em seu terreiro que tem mais de três décadas, ela diz não sentir banzo de sua França natal. "Só dos queijos", ressalva - que troca sem susto pelo xinxim de galinha e o caldo de siri favoritos. Se deixou dois varões em Paris, ganhou os mais de 250 filhos-de-santo que já iniciou. E, embora valorize a cultura europeia e a formação intelectual que recebeu, acha tolice compará-las ao universo mágico afro-brasileiro: "Os negros viviam das folhas, observando os passarinhos, sabiam se ia chover pelo frêmito da maré. São dois pesos que não se devem colocar na mesma balança." Roger Bastide, Pierre Verger, Claude Lévi-Strauss... por que tantos de seus conterrâneos interessados nesse universo? "É uma característica do espírito francês, não só de intelectuais", analisa a doutora do candomblé: "Sempre procuramos um outro jeito de ver o mundo."

Em 30 anos, a mãe-de-santo viu sua pátria adotiva se transformar. Depois de sofrer dois assaltos à mão armada no terreiro - em um dos quais seu filho Claude, que estava de visita, levou uma coronhada e teve o tímpano perfurado - , concluiu que a violência é hoje o grande demônio brasileiro. "Eu vi tudo piorar", diz ela. "Era tão bonito antes, tão agradável..." E o futuro, infelizmente, não está nos búzios de Omindarewá.

Produção científica cresce 56% no Brasil

folha de SP , 6/05/09
Produção científica cresce 56% no Brasil
País foi o que teve maior aumento no número de artigos publicados entre 2007 e 2008, subindo de 15º para 13º no ranking

Análise de qualidade da ciência nacional, porém, mostra desempenho abaixo da média mundial em total de citações em 21 áreas


ANTÔNIO GOIS
DA SUCURSAL DO RIO


De 2007 para 2008, a produção científica brasileira cresceu 56% e o país passou da 15ª para a 13ª colocação no ranking mundial de artigos publicados em revistas especializadas.
No entanto, a qualidade dessa produção -medida pelo número de citações que um artigo gera após ser publicado- continua abaixo da média mundial.
Os dados que mostram o crescimento da produção científica brasileira foram divulgados ontem pelo ministro da Educação, Fernando Haddad, em evento na Academia Brasileira de Ciências no Rio, e foram produzidos a partir da base de dados Thomson-ISI.
Já a informação sobre o impacto da produção acadêmica brasileira consta do site do instituto Thomson Reuters (sciencewatch.com/dr/sci/09/may3-092). Os dados mais recentes foram divulgados no dia 3 deste mês.
No aspecto quantitativo, o Brasil foi o país que mais cresceu na lista das 20 nações com mais artigos publicados em periódicos científicos indexados pelo ISI. Em 2008, 30.145 artigos de instituições brasileiras foram aceitos nessas publicações. Em 2007, esse número era de 19.436.
Com o crescimento, o Brasil ultrapassou Rússia e Holanda no ranking. Esses 30 mil artigos representam 2,12% da produção mundial.
Já a dimensão qualitativa -pesquisada entre 2003 e 2007, intervalo maior de tempo para captar melhor o número de citações a um artigo em outros textos acadêmicos- mostra que a área em que o Brasil mais se aproxima da média mundial de citações é matemática, em que cada texto mereceu 1,28 citação, 11% abaixo da média mundial, de 1,44.
O presidente da Academia Brasileira de Ciências, Jacob Palis, considerou "alvissareiro" o crescimento brasileiro e disse que isso reflete o aumento do fomento à pesquisa no país.
"Estar em 13º é muito bom. Estamos colados, por exemplo, na Coreia do Sul. Claro que nossa população é muito maior, mas também é verdade que os sul-coreanos investiram brutalmente em pesquisa nos últimos anos. Se continuarmos nesta marcha, estaremos bem", afirmou Palis.
Ele explica que uma das razões que contribuíram para o Brasil ultrapassar a Rússia foi o fato de este país ter perdido excelentes pesquisadores para os países ocidentais.
O especialista em cienciometria (que estuda a produtividade em pesquisa) Rogerio Meneghini foi cauteloso na análise do crescimento brasileiro.
Para ele é importante analisar não apenas o número de artigos publicados, mas também sua repercussão. Ele lembra também que, mesmo no caso da base Thomson-ISI, há revistas com níveis de qualidade que variam bastante.
Para o ministro da Educação, contribuiu para esse resultado o aumento do número de mestres e doutores no Brasil, que saiu de 13,5 mil para 40,6 mil de 1996 a 2007- e o crescimento das bolsas concedidas pela Capes (Coordenação de Aperfeiçoamento de Pessoal de Nível Superior), de 19 mil para 41 mil no mesmo período.
"Estamos vivendo um momento em que foi possível aumentar em mais de 50% a produção brasileira. Isso aconteceu graças ao trabalho do MEC e do Ministério de Ciência e Tecnologia", disse Haddad.
Para o presidente da Capes, Jorge Guimarães, é preciso ter em consideração que a repercussão de um artigo leva mais tempo para ser captada. "Um artigo publicado em 2008 ainda não está sendo citado. Isso vale para nós e para todos os países. Para medir o impacto, é preciso olhar mais para trás."
Além disso, diz, países desenvolvidos levam vantagem por terem mais tradição no meio científico e pelo fato de seus pesquisadores participarem de um número muito maior de congressos internacionais, o que aumenta a visibilidade dos artigos publicados.
Guimarães admite, no entanto, que é preciso melhorar também nesse aspecto. "Também estamos crescendo no número de citações, mas não com a mesma velocidade."

''Os livros são de autoajuda para quem os escreve''

15 de março de 2009  Jornal Estado de SP

''Os livros são de autoajuda para quem os escreve''

Chacal, POETA E MÚSICO

 

Nascido Ricardo de Carvalho em 1951, no Rio, estreou aos 20 anos com um livro mimeografado, Muito Prazer, Ricardo, e mudou o cenário da poesia brasileira, tornando-se conhecido por sua irreverência, inventividade e pelo nome de Chacal. Também é reconhecido como músico e letrista por parcerias com Lulu Santos, 14 Bis, Blitz, Barão Vermelho, entre outros. Da sua obra poética podem ser citados Vertentes (1975); 17 Peças (1983); Inscrições (1992); Dois Poemas Estrangeiros (1995); Poemas Anteriores (1998) e Práticas de Extravio (2003).

Que livro você mais relê? E qual a sua impressão das releituras?

Estrela da Vida Inteira, de Manuel Bandeira. Uma bíblia.

Dê exemplo de um livro bom injustiçado pelo público ou pela crítica.

Conversas Sobre o Invisível, de Jean-Claude Carrière, Michel Cassé e Jean Audouze.

Cite um livro que frustrou suas melhores expectativas.

Sargento Getúlio, de João Ubaldo. Não consegui vencer os primeiros capítulos. Tentarei de novo algum dia.

E um livro surpreendente, ou seja, bom e pelo qual você não dava nada.

Arranjos para Assovio, de Manoel de Barros.

A boa literatura está cheia de cenas marcantes. Cite algumas de sua antologia pessoal.

Diadorim era ela em Grande Sertão: Veredas. Uma revelação que faz reler o livro.

Que personagens são tão marcantes que ganham vida própria na sua imaginação de leitor?

Serafim Ponte Grande, de Oswald de Andrade. Esse impagável cidadão passou a andar para todo canto comigo.

Cite um livro bom, mas que lhe fez mal, de tão perturbador?

On the Road, Jack Kerouac. Fiquei atordoado pela agitação de Dean Moriaty. Vertigem total.

E que livro mais o fez pensar?

Conversas Sobre o Invisível. O micro e o macro. Ciência e religião podem jogar juntas.

De qual autor você leu tudo, ou quase tudo? Qual o motivo do interesse que ele desperta em você?

Guimarães Rosa. Sua sintaxe, seus neologismos. O som de suas palavras se materializa.

Há algum autor como o qual não perderia seu tempo?

Não. Há muito autor para se perder deliciosamente o tempo todo.

Cite um livro que foi fundamental em sua formação, mesmo que hoje você não o considere tão bom como na época em que o leu.

Macunaíma, de Mário de Andrade. Tentei relê-lo. Não desceu como antes. Ele tem a ver com o contexto exterior.

Você considera a literatura policial é um gênero menor? Se a resposta for negativa cite um livro maior do gênero. Se for positiva, diga por quê.

Não. A Grande Arte, de Rubem Fonseca. Tudo na medida certa: linguagem, história.

Os livros de autoajuda são mesmo todos ruins, ou isso é puro preconceito da crítica? Caso goste de algum deles, poderia citá-lo e justificar sua preferência?

Todos os livros são de autoajuda para quem os escreve.

Cite:

a) Um livro meio chato, mas bom.


O Físico, de Noah Gordon. Longo, mas delicioso.

b) Um livro que você acha que deve ser muito bom mas jamais leu

Ulisses, de James Joyce. Preciso me preparar física e mentalmente. Não dá para ler num tiro só.

c) Um livro que você considera difícil, mas indispensável.

Sexo, de André Sant?Anna. A linguagem num parque de diversão.

d) Um livro que começa muito bem e se perde no caminho.

A Fúria do Corpo, de João Gilberto Noll. A vertiginosa narrativa não tem ponto de corte.

g) Um livro pior do que o filme baseado nele.

Do Androids Dream of Electric Sheep?, de Philip K. Dick, que gerou o incomparável Blade Runner.

Que livros ficariam melhores se um pedaço fosse suprimido?

A Fúria do Corpo, de João Gilberto Noll. O livro pode ser terminado pelo menos três vezes.

Que livros contrariam suas convicções, mas ainda assim você julga de leitura imprescindível?

Polígono das Secas, de Diogo Mainardi. Um livro pervertidamente divertido.

Cite exemplos de livros assassinados pela tradução e exemplos de boas traduções.

O Uivo, de Allen Ginsberg. Podia ser transcriado. Uma tradução mais adaptada à fala presente. Maiakovski por Boris Schnaiderman, Augusto e Haroldo de Campos.

A literatura contemporânea é muito criticada. Que livro (s) publicado (s) nos últimos dez anos mereceria, para você, a honraria de clássico?

O Elefante, de Francisco Alvim. Chico inventa um poema que é quase fala, quase um recorte de um fraseado.

Para que clássico brasileiro, de qualquer tempo, você escreveria um prefácio incitando a leitura?

Memórias Póstumas de Brás Cuba, de Machado de Assis. É moderníssimo. Cinema de invenção.

Que livros (brasileiros ou estrangeiros) sempre presentes nos cânones não mereceriam seu voto? E um sempre ausente no qual votaria?

O Guarani, de José de Alencar. Perdeu-se no tempo. Viva o Povo Brasileiro, de João Ubaldo, um clássico. Odisseia brasileira.

Sobre a crítica:

a) Que livro festejado pela crítica você detestou?


Pergunte ao Pó, de John Fante. Não sai do chão.

b) E de que livro demolido por críticos você gostou?

Proibidão, de Marcelo Mirisola. Desaforado andarilho do calçadão da Avenida Atlântica.

c) Quais bons autores você só descobriu alertado pela crítica?

Oswald de Andrade. A reedição de sua obra promovida por Haroldo e Augusto de Campos.

Cite um vício literário que você considera abominável.

Elogia-me que eu te elogiarei.

Son of poets Sylvia Plath and Ted Hughes kills himself

 

Son of poets Sylvia Plath and Ted Hughes kills himself

Nicholas Hughes hangs himself at his home in Alaska 46 years after his mother gassed herself
guardian.co.uk, Monday 23 March 2009 09.37 GMT
 
Nicholas Hughes, son of poet Ted Hughes
Nicholas Hughes (right) at the thanksgiving service for his father, Ted Hughes, in 1999. Photograph: Nils Jorgensen/Rex Features

 

Nicholas Hughes, the son of the poets Sylvia Plath and Ted Hughes, has hanged himself at the age of 47. The former fisheries scientist at the University of Alaska Fairbanks had carved out a successful scientific career in one of the remotest parts of the western world, but ultimately he could not escape the legacy of being the offspring of one of the most famous and tragic literary relationships of the 20th century.

Those who know little else about his mother know that she was the American-born poet who gassed herself in the kitchen of her north London home in February 1963 while her one-year-old son and his two-year-old sister, Frieda, slept in their cots in a nearby room. Plath had placed towels around the kitchen door to make sure the fumes did not reach her children. She had been distraught at the break-up of her relationship with Hughes, following her discovery of his infidelity. Six years after their mother's death, in 1969, their father's then partner, Assia Wevill, also killed herself, killing her four-year-old daughter Shura in the process.

Plath's relationship with the future poet laureate has been the subject of numerous literary and personal memoirs and biographies, and even a film, as well as long-running attacks on her husband's reputation and behaviour by some feminists. She addressed one of her last poems, Nick and the Candlestick, to her baby son: "O love, how did you get here? O embryo … In you, ruby/ The pain you wake to is not yours … You are the one." Although Nicholas Hughes's father maintained an anguished public silence about the tragedy, poems written at the time, published in the last year of his life, also spoke of his relationship with his son.

In a statement issued late on Sunday evening, Frieda Hughes reported: "It is with profound sorrow that I must announce the death of my brother Nicholas Hughes, who died by his own hand on Monday 16 March 2009 at his home in Alaska. He had been battling depression for some time.

"His lifelong fascination with fish and fishing was a strong and shared bond with our father (many of whose poems were about the natural world). He was a loving brother, a loyal friend to those who knew him and despite the vagaries that life threw at him, he maintained an almost childlike innocence for the next project or plan."

A report in the Fairbanks Daily News-Miner today by its columnist Dermot Cole understandably celebrates Hughes's academic and personal qualities rather than his literary associations. Noting that his initial scientific training had been at Oxford, Cole says he earned a doctorate at the University of Alaska in 1991: "He made lasting friendships in Fairbanks with those who shared his inventive interests in such varied pursuits as stream ecology, pottery, woodworking, boating, bicycling, gardening and cooking the perfect pecan pie … He spent countless summer hours in his research of grayling and salmon in the Chena river, exhibiting all the patience and wonder that defines a great fisherman. One of his innovations was rigging underwater cameras to get a three-dimensional view of the fish feeding in the passing current."

That interest may seem to pop psychologists an altogether more positive inherited legacy, of Ted Hughes's passionate interest in fishing, and indeed his father made several visits to Alaska before his death in 1998. Nicholas's particular academic specialism was in the behaviour of fish in currents. A 2004 paper explored why larger fish swim upstream in the turbulence of midstream rather than in the quieter waters near the banks: "Large fish swim further from the bank to avoid wave drag, the resistance associated with the generation of surface waves when swimming close to the surface," he wrote.

Hughes gave up his professorship two years ago to concentrate on pottery, although the paper said he continued his research with his partner, Christine Hunter, also a biologist.

Cole wrote: "A few times I called to let him know I would like to write about his life and his family connections whenever a news story about his parents appeared, but he did not think it was a good idea, so it never happened. He deserved his privacy. By and large, people in Fairbanks respected that, which is a good comment on our part of the world. In Alaska he had the freedom and the opportunity to live on his own terms and be recognised for his own accomplishments. Here he was not a literary figure forever defined by the lives of his parents."

In Plath's poems, he was her saviour

The shock and sadness of the news of Nicholas Hughes's death is almost unbearable. In his mother's poetry, he was saviour and life force - at his birth, she wrote, "this great bluish, glistening boy shot out onto the bed in a wave of tidal water that drenched all four of us to the skin, howling lustily", and he was for her the baby in the barn, "the one solid the spaces lean on". She loved her children, but not even loving them could save her, or, it now seems, him. Her son tried to survive her, escaping to Alaska, pursuing the wild fish through the icy rivers, but in the end he swam back up stream to the terrible birth and death place. Plath was heroic, in her struggles to create light and art from darkness, and so, I must and need to feel, was he. Margaret Drabble

a imagem de shakespeare

 

March 12, 2009

Adam Gopnik: Look Here, Upon This Picture

Shakesceneimage.jpg

 


A lot of talk has been occasioned by the supposed find, over in England, of a new portrait of Shakespeare—the one that made the front page of the Times and that makes him look like George in the "Penny Lane" video, circa 1967. The "Cobbe" portrait is said to date from 1610, when he was well along in his forties—the science of dendrochronology, or dating wooden-panel pictures by the number of tree rings, presumably anchors the certainty—and, while we wait to find out more about it, a lot of bad ideas about Shakespeare, pictures, and the period have been going around, herein to be cleared up.

First, the two familiar portraits of Shakespeare—the Droeshout engraving from the First Folio and the Stratford bust at Holy Trinity Church, in his home town—are not "thought to be" portraits of Shakespeare or "widely accepted" as portraits of Shakespeare. They are portraits of Shakespeare. They were commissioned soon after he died, by people who knew him intimately, in order to give other people a sense of what he looked like while he was alive. Ben Jonson said that the First Folio engraving looked just like him, saying, "could he [Droeshout] but have drawn his wit as well in brass, as he hath hit his face/the print would then surpass/all that was ever writ in brass," and Jonson knew him as well as anyone. The Shakespeare family put up and paid for the monument, sculpted by an artisan named Janssen, in Stratford right after their dad died—the Shakespeare scholar René Weis thinks the likeness was "almost certainly" made from a life mask taken not too long before the poet drew his last breath, in 1616—and though it makes him look like a Thurber husband, that must have been just how he looked, at least by the end.

Neither image is especially masterly, or even much good at all. To use an old distinction, they're "conceptual" rather than "optical"—they show an assembled stack of features rather than a convincing illusion of a specific face—but the concepts are clearly articulated: he's a bald guy with a short beard. Mrs. Shakespeare might have said, "Well, he was better-looking than that, dammit" (then again, given what she had put up with, she might not have), but she wouldn't have said, "He didn't look like that at all," or she wouldn't have let it happen. Any portrait of Shakespeare in his forties that doesn't look like these portraits of Shakespeare isn't a portrait of Shakespeare.

Nor is it true that there was, in the Jacobean period, a kind of broad, hazy latitude about portrait-making, in which artists were free to make people look however they wanted them to look and everyone accepted it. All author pictures are cosmetic, then as now—do you think that the sage man with his hand to his head, the wry woman novelist with the half smile actually look like that?—but they were no more stylized back then than any other kind of portraiture. In Elizabethan portraits, people look like the period, but they also look like themselves: a portrait of Southampton looks different from a portrait of Ben Jonson which looks nothing at all like a portrait of Richard Burbage. You really can tell these guys apart. Differences in likeness were as evident to them as they are to us—that's why Hamlet urges his mom to "look here, upon this picture, and on this." There is not a single line or scrap of evidence from the time in which someone says, Well, sure, the picture shows him with a full head of hair (or beard or whatever), but he didn't really look like that. Shakespeare lived in as satiric and short-tempered a circle as has ever existed; if, close to his retirement, he was bald, and had a picture painted where he wasn't, they would have jumped on him, and he knew it. Ben Jonson was so jaundiced about anything that struck him as pretension that when poor Shakespeare got enough money to buy a coat of arms and the motto "Non Sanz Droict" ("Not Without Right") Jonson immediately introduced a dim-witted social-climbing character into a play just so that he could have him say that his motto was "Not without mustard."

There is, however, another angle, not often cited, that suggests that there might have been other, more romantic pictures of Shakespeare making the rounds a few years earlier. A Cambridge student play from the period, the so-called "Parnassus," refers to it: a swoony courtier named Gullio is a crazy fan of "Venus and Adonis" and "Romeo and Juliet," and cries, "O sweet Master Shakespeare, I'll have his picture in my study at the court" (meaning in his rooms on the courtyard of his college, not alongside the Queen). This might just be loose talk, like someone saying he's going to keep a portrait of Wes Anderson in his room, but it sounds as if such things really happened.

This presents a problem, since it is a rule of life that undergraduates don't put pictures of bald, funny-looking guys up in their dorm. But the play seems to have been performed around 1600, a good ten years earlier than the date on this portrait, while the work that Gullio refers to is mostly still earlier than that, from Shakespeare's first lyric crop in the fifteen-nineties. And that Shakespeare was good-looking as a young man, before he lost his hair and puffed out from home-cooking, seems at least likely, on the fixed general principle that writers who become very celebrated in their youth, as he did, are, to a first approximation, almost always good-looking. Byron and Shelley, Mailer and Updike and Salinger, Fitzgerald, Dickens, Tennyson, Lowell, Ted Hughes—all celebrated in their youth, all not just O.K.-looking but an oil painting, each and every one. There are many good funny-looking writers, but it's hard to think of good funny-looking writers who get famous young. Funny-looking writers, at least funny-looking male writers, get famous late—Samuel Johnson and Sinclair Lewis and John Milton and Philip Larkin all come instantly to mind—or else they don't get famous. They get read, but they don't get celebrated. (The only exception is Alexander Pope, who got famous young and was a humpback dwarf, but he was so good that no one noticed, and anyway he looked fine from the neck up.) If you could push the date of the new portrait back a decade or so, and make it of the young, swoon-inducing Shakespeare, it might make sense.

And then the other really odd thing, which is causing heartburn in Canadian bosoms, is that another, even better-credentialled romantic painting of the Bard emerged in Canada a scant three years ago, and never got what the political writers like to call "traction." This one, the so-called Sanders portrait, its wood securely dated to the early seventeenth century, also shows a good-looking rock-star Shakespeare—though the Sanders looks less like George in '67 and more like Dylan on the cover of "New Morning," a shaggy guy with a wry smile—and has every bit as good a provenance as the new one, and a better direct claim: there's a slip of paper, securely dated to the period, on the back of the thing that once read, in part, "Shakespere…this likeness taken 1603." Post-Gullio, but not badly so…And the Canadian portrait shows a guy who, though not yet bald, is unmistakably going bald.

So the real takeaway ought to be that, if this is a new portrait of Shakespeare, it would probably have to date earlier than the date they're giving. Or else, as Ben Jonson said, that we ought to look "not on his picture, but his book." Or, best of all, just trust Canada.

(Photographs: Left, the "Cobb" portrait by Oli Scarff/Getty Images; Right, the "Sanders" portrait, courtesy of the Canadian Conservation Institute)

Cantiga de esposais - MAchado de Assis


Cantiga de esposais

Imagine a leitora que está em 1813, na igreja do Carmo, ouvindo uma daquelas boas festas antigas, que eram todo o recreio público e toda a arte musical. Sabem que é uma missa cantada; podem imaginar o que seria uma missa cantada daqueles anos remotos. Não lhe chamo a atenção para os padres e os sacristãos, nem para o sermão, nem para os olhos das moças cariocas, que já eram bonitos nesse tempo, nem para as mantilhas das senhoras graves, os calções, as cabeleiras, as sanefas, as luzes, os incensos, nada Não falo sequer da orquestra, que é excelente; limito-me a mostrar-lhes uma cabeça branca, a cabeça desse velho que rege a orquestra com alma e devoção.
Chama-se Romão Pires; terá sessenta anos, não menos, nasceu no Valongo, ou por esses lados. É bom músico e bom homem; todos os músicos gostam dele. Mestre Romão é o nome familiar; e dizer familiar e público era a mesma coisa em tal matéria e naquele tempo. "Quem rege a missa é mestre Romão" — equivalia a esta outra forma de anúncio, anos depois: "Entra em cena o ator João Caetano"; — ou então: "0 ator Martinho cantará uma de suas melhores árias". Era o tempero certo, o chamariz delicado e popular. Mestre Romão rege a festa! Quem não conhecia mestre Romão, com o seu ar circunspecto, olhos no chão, riso triste, e passo demorado? Tudo isso desaparecia à frente da orquestra; então a vida derramava-se por todo o corpo e todos os gestos do mestre; o olhar acendia-se, o riso iluminava-se: era outro. Não que a missa fosse dele; esta, por exemplo, que ele rege agora no Carmo é de José Maurício; mas ele rege-a com o mesmo amor que empregaria, se a missa fosse sua.
Acabou a festa; é como se acabasse um clarão intenso, e deixasse o rosto apenas alumiado da luz ordinária. Ei-lo que desce do coro, apoiado na bengala; vai à sacristia beijar a mão aos padres e aceita um lugar à mesa do jantar. Tudo isso indiferente e calado. Jantou, saiu, caminhou para a Rua da Mãe dos Homens, onde reside, com um preto velho, pai José, que é a sua verdadeira mãe, e que neste momento conversa com uma vizinha.
— Mestre Romão lá vem, pai José — disse a vizinha.
- Eh! eh! adeus, sinhá, até logo.
Pai José deu um salto, entrou em casa, e esperou o senhor, que daí a pouco entrava com o mesmo ar do costume. A casa não era rica naturalmente; nem alegre. Não tinha o menor vestígio de mulher, velha ou moça, nem passarinhos que cantassem, nem flores, nem cores vivas ou jucundas. Casa sombria e nua. 0 mais alegre era um cravo, onde o mestre Romão tocava algumas vezes, estudando. Sobre uma cadeira, ao pé, alguns papéis de música; nenhuma dele...
Ah! se mestre Romão pudesse seria um grande compositor. Parece que há duas sortes de vocação, as que têm língua e as que a não têm. As primeiras realizam-se; as últimas representam uma luta constante e estéril entre o impulso interior e a ausência de um modo de comunicação com os homens. Romão era destas. Tinha a vocação íntima da música; trazia dentro de si muitas óperas e missas, um mundo de harmonias novas e originais, que não alcançava exprimir e pôr no papel. Esta era a causa única de tristeza de mestre Romão. Naturalmente o vulgo não atinava com ela; uns diziam isto, outros aquilo: doença, falta de dinheiro, algum desgosto antigo; mas a verdade é esta: - a causa da melancolia de mestre Romão era não poder compor, não possuir o meio de traduzir o que sentia. Não é que não rabiscasse muito papel e não interrogasse o cravo, durante horas; mas tudo lhe saía informe, sem idéia nem harmonia. Nos últimos tempos tinha até vergonha da vizinhança, e não tentava mais nada.
E, entretanto, se pudesse, acabaria ao menos uma certa peça, um canto esponsalício, começado três dias depois de casado, em 1779. A mulher, que tinha então vinte e um anos, e morreu com vinte e três, não era muito bonita, nem pouco, mas extremamente simpática, e amava-o tanto como ele a ela. Três dias depois de casado, mestre Romão sentiu em si alguma coisa parecida com inspiração. Ideou então o canto esponsalício, e quis compô-lo; mas a inspiração não pôde sair. Como um pássaro que acaba de ser preso, e forceja por transpor as paredes da gaiola, abaixo, acima, impaciente, aterrado, assim batia a inspiração do nosso músico, encerrada nele sem poder sair, sem achar uma porta, nada. Algumas notas chegaram a ligar-se; ele escreveu-as; obra de uma folha de papel, não mais. Teimou no dia seguinte, dez dias depois, vinte vezes durante o tempo de casado. Quando a mulher morreu, ele releu essas primeiras notas conjugais, e ficou ainda mais triste, por não ter podido fixar no papel a sensação de felicidade extinta.
— Pai José — disse ele ao entrar —, sinto-me hoje adoentado.
— Sinhô comeu alguma coisa que fez mal...
— Não; já de manhã não estava bom. Vai à botica...
0 boticário mandou alguma coisa, que ele tomou à noite; no dia seguinte mestre Romão não se sentia melhor. E preciso dizer que ele padecia do coração: — moléstia grave e crônica. Pai José ficou aterrado, quando viu que o incômodo não cedera ao remédio, nem ao repouso, e quis chamar o médico.
— Para quê? - disse o mestre. — Isto passa.
0 dia não acabou pior; e a noite suportou-a ele bem, não assim o preto, que mal pôde dormir duas horas. A vizinhança, apenas soube do incômodo, não quis outro motivo de palestra; os que entretinham relações com o mestre foram visitá-lo. E diziam-lhe que não era nada, que eram macacoas do tempo; um acrescentava graciosamente que era manha, para fugir aos capotes que o boticário lhe dava no gamão — outro que eram amores. Mestre Romão sorria, mas consigo mesmo dizia que era o final.
"Está acabado", pensava ele.
Um dia de manhã, cinco depois da festa, o médico achou-o realmente mal; e foi isso o que ele lhe viu na fisionomia por trás das palavras enganadoras:
— Isto não é nada; é preciso não pensar em músicas...
Em músicas! justamente esta palavra do médico deu ao mestre um pensamento. Logo que ficou só, com o escravo, abriu a gaveta onde guardava desde 1779 o canto esponsalício começado. Releu essas notas arrancadas a custo, e não concluídas. E então teve uma idéia singular: — rematar a obra agora, fosse como fosse; qualquer coisa servia, uma vez que deixasse um pouco de alma na terra.
— Quem sabe? Em 1880, talvez se toque isto, e se conte que um mestre Romão...
0 princípio do canto rematava em um certo lá; este lá, que lhe caía bem no lugar, era a nota derradeiramente escrita. Mestre Romão ordenou que lhe levassem o cravo para a sala do fundo, que dava para o quintal: era-lhe preciso ar. Pela janela viu na janela dos fundos de outra casa dois casadinhos de oito dias, debruçados, com os braços por cima dos ombros, e duas mãos presas. Mestre Romão sorriu com tristeza.
— Aqueles chegam — disse ele —, eu saio. Comporei ao menos este canto que eles poderão tocar...
Sentou-se ao cravo; reproduziu as notas e chegou ao lá...
— Lá, lá, lá...
Nada, não passava adiante. E contudo, ele sabia música como gente.
Lá, dó... lá, mi... lá, si, dó, ré... ré... ré...
Impossível! nenhuma inspiração. Não exigia uma peça profundamente original , mas enfim alguma coisa, que não fosse de outro e se ligasse ao pensamento começado. Voltava ao princípio, repetia as notas, buscava reaver um retalho da sensação extinta, lembrava-se da mulher, dos primeiros tempos. Para completar a ilusão, deitava os olhos pela janela para o lados casadinhos. Estes continuavam ali, com as mãos presas e os braços passados nos ombros um do outro; a diferença é que se miravam agora, em vez de olhar para baixo: Mestre Romão, ofegante da moléstia e de impaciência, tornava ao cravo; mas a vista do casal não lhe suprira a inspiração, e as notas seguintes não soavam.
— Lá... lá... lá...
Desesperado, deixou o cravo, pegou do papel escrito e rasgou-o. Nesse momento, a moça embebida no olhar do marido, começou a cantarolar à toa, inconscientemente, uma coisa nunca antes cantada nem sabida, na qual coisa um certo lá trazia após si uma linda frase musical, justamente a que mestre Romão procurara durante anos sem achar nunca. 0 mestre ouviu-a com tristeza, abanou a cabeça, e à noite expirou.